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This study investigates how English as a foreign language (EFL) student reviewers engage in open-ended, dialogic interactions with generative artificial intelligence (AI) during the feedback generation process in peer assessment within EFL writing classrooms. It examines the impact of these interactions on feedback quality perceived by recipients, emotional responses (task enjoyment and anxiety), and feedback literacy. A quasi-experimental design was employed with 60 Chinese undergraduate students, divided into an experimental group (EG) that used generative AI (Doubao) for support and a control group (CG) that did not. Over three intervention cycles, data from chat histories, feedback quality ratings by recipients, and pre/post questionnaires on emotions and feedback literacy were analyzed. The results indicated that EG students primarily employed AI for linguistic refinement of their comments, with limited use for enhancing the content or structure. Nevertheless, AI support led to significant, progressive improvements in the perceived quality of feedback, particularly in affect, description, justification, and constructiveness. Furthermore, EG students reported significantly higher task enjoyment and lower anxiety compared to the CG. The intervention also positively enhanced all dimensions of feedback literacy: knowledge and abilities, willingness to participate, cooperative learning, and appreciation of peer feedback. The findings suggest that generative AI can serve as a powerful scaffold, reducing the emotional and cognitive burdens of peer assessment while fostering a more supportive and effective feedback environment. This study underscores the value of integrating AI into peer feedback practices to develop students’ feedback literacy and improve the overall quality of peer learning experiences.

Feedback agency is a key concept in enhancing student writing performance. While growing attention has been paid to student feedback agency, existing research remains largely theoretical and qualitative. As a result, there is a lack of psychometrically supported instruments to measure this construct. To address this gap, the present two-phase study aimed to develop and evaluate a Student Feedback Agency Scale (SFAS), drawing on social cognitive theory. In the development stage, Principal Component Analysis (PCA) was conducted on a sample of 235 Chinese international postgraduate students. The results yielded a 23-item SFAS comprising six components: Action Taking, Goal Setting, Processing, Generating, Self-efficacy, and Seeking. Using an independent sample of 349 participants from the same population, Confirmatory Factor Analysis (CFA) was conducted in the evaluation stage. The results supported a good model fit (RMSEA = .055, IFI = .923, TLI = .908, and CFI = .922). Multi-group CFAs further confirmed the structural invariance across gender, academic level, and discipline. Overall, the findings provide psychometric evidence to support the interpretation and use of the SFAS scores to measure student agency in writing feedback processes. Based on these results, the factor structure and subscales of the SFAS are discussed, and implications are outlined.

How does writing with generative AI transform our experiences as thinkers, learners, and communicators? This study investigates the question through threshold concepts, transformative ideas that prove troublesome yet shape disciplinary participation, previously identified in writing studies through retrospective analysis. We propose that technological disruption creates conditions for observing new concepts as they emerge within communities of practice. To test this approach, we designed an experimental “AI and Writing” course. Across two iterations (Fall 2023 and Fall 2024), 38 undergraduate students from 22 majors engaged in scaffolded challenges and self-directed projects, developing strategic approaches to AI-assisted composing. Analysis of students’ final reflections, using Meyer and Land’s characteristics as sensitizing criteria, revealed three concepts essential for productive AI engagement: writing with AI is an experimental process; writing with AI requires expertise and dialogue; and writing with AI should augment rhetorical agency. These transformations prove troublesome because they contradict expectations shaped by prior experience: better tools should require less effort, linguistic fluency signals substantive knowledge, and assistance either wholly helps or harms learning and development. The findings show how AI transforms perennial questions in writing studies and composition, and they offer insights for navigating the threshold between productive collaboration and problematic dependency.

This study examines how a structured LinkedIn workshop influenced undergraduates’ intention to engage in professional online networking. Grounded in Experiential Learning Theory, the workshop combined interactive instruction, guided profile development, and a practitioner-led session. Based on post-intervention survey data from undergraduate students in Vietnam, the findings show that only familiarity with LinkedIn and the perceived training role of the guest speaker significantly predicted engagement intention. The study contributes to business communication pedagogy by emphasizing platform familiarization and expert-led instruction in career-oriented digital learning.

As ChatGPT is increasingly used in second language (L2) writing practice and research, its potential to provide feedback and revision has attracted much scholarly attention. However, it remains largely unknown whether and how ChatGPT revision can influence rhetorical move-steps. This study investigates the effects of ChatGPT revision on rhetorical move-steps in English personal statements (PSs) written by L2 English undergraduate students, using a combination of corpus data and stimulated recall interviews. Based on an unstructured prompt, our analysis revealed significant reductions in the rhetorical efforts devoted to five rhetorical steps. Students’ responses highlighted both benefits and concerns regarding these revisions, illustrating how AI-generated changes can alter textual features and affect writer-reader communication from the writers’ perspective. The findings highlight the importance of students’ critical evaluation of AI-generated revisions and iterative engagement with them.

This qualitative study investigates the biographical factors that influence the professional identities and teaching practices of second language (L2) writing instructors. Previous L2 writing studies have tended to rely on teacher interviews to examine such identities and practices and have failed to include the important perspective of classroom observations. This study conducted teacher interviews and classroom observations with three graduate teaching assistants (GTAs) of a first-year writing course at a U.S. university. The findings suggest that although teachers’ disciplinary backgrounds, teaching philosophies, and prior experiences shape their professional identities and instructional approaches, their classroom practices in language instruction do not always align with their beliefs and stated values. Teacher education programs should integrate language pedagogy and grammar instruction into writing pedagogy, while encouraging teachers to engage in consistent self-evaluation and reflection on their practices.

From a national study on graduate student writing pedagogy in Rhetoric, Composition, and Writing Studies, 203 participant responses show the value of faculty mentorship, learning to write outside of coursework, and the importance of understanding rhetorical genre systems. Participants largely report not having taken a course on writing in graduate school. This article concludes that more should be done in coursework to mediate the needs of graduate student writers.

Doctoral dissertation writing is a demanding process requiring writers to navigate complex rhetorical, disciplinary, and institutional expectations. This study examines how doctoral writers perceive and handle these challenges. More than 1000 reflections were collected from 278 participants across seven years of dissertation writing retreats. Through their reflections, writers articulate how they negotiate the dissertation's distinctive parameters, particularly in adapting writing practices to new rhetorical contexts, managing complex research tasks, and developing sustained project timelines. Participants’ reflections also illustrate three distinct approaches to managing writing tasks: strategic problem-solving, affirmative progress recognition, and responsive integration of both approaches. Writers demonstrating a responsive approach, combining practical solutions with positive self-acknowledgment, showed enhanced goal completion compared to those employing strategic approaches alone. This research extends current theoretical frameworks of genre use by considering the relationship between metacognitive problem-solving and positive affect during dissertation drafting. Data suggest that successful genre navigation of dissertations often depends on writers' ability to develop compensatory mechanisms when faced with the tacit or occluded nature of the dissertation expectations. These findings contribute to writing theory by exploring how writers manage complex genres and offer principles for structuring doctoral writing support.

This article focuses on teacher educators’ approaches to supporting discipline-specific undergraduate writing at the University of Strathclyde, the largest provider of initial teacher education (ITE) in Scotland. Although the Scottish Enlightenment had a substantial influence on positioning language, and therefore rhetoric, as a field of study ( Shieber, 2023 ), contemporary Scottish higher education—including teacher education—has no teaching of rhetoric or composition and no formalised general writing education (e.g., first-year composition). Yet, ITE students are expected to write in a variety of genres throughout postsecondary education. We position writing instruction as part of socially just teacher education. Our qualitative study investigates how university teacher educators conceive of student writing and enact these conceptualisations in practice. This study offers insight into how teacher educators evaluate the role of writing in teacher education and how they connect it to professional practice, positioning writing instruction as part of socially just teacher education.

Virtual reality (VR) technologies are increasingly marketed to knowledge workers as productivity tools for focused, immersive work. Yet little empirical research examines the lived experience of sustained VR use for complex academic writing tasks. This study presents a 10-week diary study of a doctoral candidate using VR to compose her dissertation during summer 2025. Through weekly reflective entries, screen recordings, and artifact analysis, we examine the user experience dimensions of immersive academic writing. Our thematic analysis reveals six major findings: (1) technical infrastructure constraints dominated the writing experience; (2) embodied discomfort consistently limited sessions to 30–50 min; (3) affective dimensions shaped productivity; (4) learning curves remained steep throughout the study; (5) task type significantly influenced success, with structured administrative writing outperforming open-ended academic drafting; and (6) technical disruptions fragmented flow and made momentum recovery difficult. We argue that VR writing tools require task-appropriate design, realistic session expectations, and user agency to discontinue when needs are not met. These findings contribute user-centered evidence to technical communication scholarship on emerging composing technologies and offer practical guidance for graduate writing programs.

Teacher communication influences students’ cognitive and emotional well-being, yet mechanisms linking communication behaviors to learning outcomes remain underexplored. Grounded in the conservation of resources framework, this study tested an ecological model in which teacher clarity and rapport indirectly reduced writing apprehension through perceived immediacy, self-efficacy, and burnout. Undergraduate students ( N  = 389) in Business and Professional Communication courses completed validated measures. Structural equation modeling supported a serial mediation: clarity and rapport predicted immediacy and self-efficacy, which reduced burnout and, in turn, writing apprehension. Findings highlight burnout as a psychological conduit linking instructional communication to student anxiety.

This study examined how lecture background type influences student learning experiences in business and professional communication contexts. An online experiment was conducted with undergraduate students in the United States. Participants viewed a lecture on one-way interviews presented with either a digitally created background (university-branded PowerPoint slide) or authentic-appearing background (image of a physical office wall). The results revealed an indirect effect of lecture background type on students’ perceptions, mediated by the perceived social presence of the instructor: specifically, a lecture delivered with an authentic-appearing background fostered social presence, which in turn, enhanced students’ perceptions of the instructor’s credibility and their affective learning.

Purpose: Writing has been identified as an important skill. Business writing refers to the form of writing that is used to communicate in formal settings in various corporations and organizations. A number of research studies have identified writing as a crucial skill that needs to be developed by students. The purpose of the study is therefore to understand how an experiential learning module on business writing can improve the email-writing and report-writing skills of management postgraduates. Design/Methodology/Approach: The study uses an experimental research methodology based on experiential learning pedagogy to obtain the results of the intervention on the business writing skills of the management postgraduate students. The module was developed by the researcher and then was taught to the students through the online platform Zoom. Pretest, posttest, and delayed posttest analysis was conducted to find the impact of the intervention. The students were evaluated by an industry expert to avoid bias as they were trained by the researcher. Findings: The results of the study indicated that the intervention had a significant impact on the business writing skills of the participants. The results of the component analysis also indicated a large effect on the content, persuasive abilities, lateral thinking abilities, and the interpersonal skills of the participants in written communication. The analysis of the test scores revealed that an initial training based on the experiential learning methods can have a long-term impact on the improvement of the skills of the students, as the delayed posttest results were more than the posttest results. Originality/value: The study will be beneficial to educators, trainers, as well as students in understanding how experiential learning can impact the business writing skills of the students.

This paper highlights the reflective experiences of five graduate students who emerged as practitioner-scholars in the field of technical and professional communication (TPC) through their participation in the Spring 2025 graduate course, Writing Grants and Proposals, at Sam Houston State University. The semi-simulated, Better Sam Program assignment, grounded in a community-engaged and social justice framework, required students to develop unsolicited full proposals addressing local issues or opportunities within SHSU or the Huntsville community. This assignment challenged students to align their proposals with community needs while engaging in ethical, research-driven practices. Drawing on extensive community engagement, students developed proposals that were not only realistic and contextually grounded but also reflective of broader social justice concerns. The reflective process, guided by structured questions, encouraged students to critically analyze their proposal development experiences and consider the broader implications of their work for community advocacy and social responsibility. This paper presents these reflections, offering insights into how grant writing can be a transformative educational experience that fosters critical thinking, ethical engagement, and social impact.

This graduate level assignment requires students analyze rhetorical artifacts through an African American epistemology of rhetorical knowledge. The expectations of the assignment built on the concepts of Kemetic-rooted (Ancient Egyptian) rhetorical traditions that are common to the U.S.’s Black communities. The objective of the assignment was for learners demonstrate foundational declarative and procedural knowledge of the practices and frameworks within an African-American rhetorical tradition that would help them expand their understanding of rhetorical aims throughout the course and beyond. This assignment expanded the perception of the relationship between rhetoric, society, culture, and community both historically and contemporarily. For some students, working with a different rhetorical mindset allowed them to theorize about rhetorical communication in ways they feel they had not been able to articulate in previous courses or contexts.

As a key attribute of effective writing, coherence remains challenging to teach in language classrooms, with traditional writing instruction frequently overlooking coherence in favor of discrete, rule-based features. This mixed-methods study investigates the effectiveness of explicit coherence instruction on English-as-a-Foreign-Language (EFL) students’ performance on integrated writing tasks. The study employed a controlled experimental design with 64 upper-intermediate-level undergraduate students at a Chinese university, drawing on Hasan’s Cohesive Harmony theory as the theoretical framework. Half of the participants (n = 32) in the experimental group received explicit instruction on coherence with a focus on cohesive chains and cohesive devices in integrated writing, while the control group (n = 32) received standard paraphrasing instruction. Quantitative analysis revealed that the experimental group showed significant improvements in coherence scores and multiple cohesive chain measures. Qualitative discourse analysis of six students’ writing samples from the experimental group demonstrated varying levels of improvement in writing coherence, with high-performing students showing better use of identity chains and pronoun references. The findings revealed that explicit instruction on coherence significantly improved students’ performance in creating coherent integrated writing, particularly through the development of cohesive chains and appropriate use of cohesive devices. This study underscores the pedagogical value of teaching coherence to enhance writing quality and provides concrete strategies for developing more effective teaching approaches for integrated writing tasks in EFL contexts. • The study examined 64 Chinese EFL students using mixed-methods experimental design. • Cohesive Harmony theory served as the framework for assessing writing coherence. • Explicit instruction significantly improved coherence in integrated writing tasks. • High-performing students demonstrated superior identity chain development.

Abstract This essay reports the findings from a study of undergraduate students’ audio reading habits. The study involved a series of surveys conducted between fall 2020 and fall 2023 and included over one hundred students from seven different British literature classes. The survey results are both quantitative and qualitative and provide a snapshot of how contemporary college students enrolled in literature classes view and engage with audiobooks. Overall, the study found that a majority of participants reported that they listened to audiobooks (77 percent) and more than half admitted to having used audiobooks to complete assigned reading in previous classes (67 percent). Based on these findings, this essay argues that while audiobooks may not be the ideal medium for literary study, they have become an essential supplement to this practice under the conditions of the contemporary college classroom. Ultimately, this essay makes the case for putting aside disciplinary skepticism regarding the legitimacy of audiobooks as a component of literary education and instead encourages educators to learn more about how their students are using audiobooks so that they can accommodate these texts in their classrooms and provide instruction on how best to employ this medium.

Bridget C. Donnelly is an assistant professor of English at Middle Tennessee State University. Her primary teaching areas include eighteenth-century British literature, the novel, and Gothic and horror literature. Her research has appeared in Philosophy and Literature, Studies in Eighteenth-Century Culture, and The Literary Taylor Swift: Songwriting and Intertextuality (2024). She is completing, along with a team of undergraduate and graduate student researchers, a critical edition of Elizabeth Meeke's 1796 The Abbey of Clugny, under contract with Routledge's Chawton House: Women's Novel Series.Kishonna Gray (she/her) is a professor of racial justice and technology in the School of Information at the University of Michigan and director of the Mellon-funded Intersectional Tech Lab. Her research explores the intersections of race, gender, and digital technologies, particularly in gaming and platform culture. She is the author of Intersectional Tech: Black Users in Digital Gaming and Race, Gender, and Deviance in Xbox Live and coeditor of Woke Gaming and Feminism in Play. Gray is also a faculty associate at Harvard's Berkman Klein Center for Internet and Society.Ashley Nadeau is an associate professor of English at Utah Valley University in Orem, UT, where she teaches courses in nineteenth-century British literature and critical theory. Her current research project examines the role of audiobooks in undergraduate literary studies and studies on the Victorian novel. When not thinking about audiobooks, she studies the relationship between the social and architectural histories of built public space and the Victorian literary imagination. Her work has appeared in Nineteenth-Century Contexts, Victorian Literature and Culture, Victorians Journal, The Gaskell Journal, Modern Language Studies, and Undisciplining the Victorian Classroom.Eleanor Reeds is an associate professor of English at Hastings College in Nebraska where she enjoys teaching across genres and periods in a small but vibrant department. Her research has appeared in venues such as Children's Literature Association Quarterly, Victorian Poetry, American Literary Realism, and Twentieth-Century Literature.Tes Schaeffer (she/her) previously served as an advanced lecturer in Stanford's Program in Writing and Rhetoric and as the associate director of the Hume Center for Writing and Speaking. She is currently an assistant professor of English at Central Oregon Community College. Her fields of scholarship include composition and reading pedagogies, affect studies, and phenomenology.Krysten Stein (she/her) is an assistant professor of communication at the University of Cincinnati Blue Ash College. She is a research affiliate with the Intersectional Tech Lab at the University of Michigan's School of Information and the Center on Digital Culture and Society at the University of Pennsylvania's Annenberg School for Communication. Her research explores reality television and social media, with a focus on identity, political economy, and wellness. She is completing her first book, And How Does That Make You Feel? Theratainment and the Digital Commodification of Mental Health, and is a cofounding member of the Content Creator Scholars Network.Lisa Swan is an advanced lecturer in the Program in Writing and Rhetoric at Stanford University. She holds a PhD in curriculum and instruction with a specialization in English education from the University of Maryland, College Park. Her research interests include writing studies, pedagogy, reading, teacher training, and equity.

This webtext invites audiences to engage with Conference Creatures, an experiment in feminist new materialist praxis in which the authors create and distribute crochet creatures at academic conferences. Through photos, videos, and interactive elements, we demonstrate how Conference Creatures enacts non-extractive forms of networking that move our professional spaces toward relational praxes of belonging in academia, particularly for graduate students and junior scholars.

This article describes two early career tenure-track faculty’s approach to horizontal mentorship and dialogic reflection to adapt their teaching to the needs of Research II graduate writing programs. Collaborative reflection about how their teaching evolved helped the authors not only unlearn their original doctoral training but also reimagine graduate education for their new contexts and students. This small case study on sharing vulnerabilities in horizontal mentorship is a practical example for how newly minted PhDs embark on careers outside of their Research 1 training can critically reflect on their own socialization and create strategic mentoring experiences for each other.

This paper reports on how undergraduate students evaluated writing outputs created with and without generative artificial intelligence (AI). The paper focuses specifically on two aspects of writing and AI: how prior writing knowledge influenced students’ thinking about AI tools, and how the writing skills to which they were exposed in the writing classroom helped them work with AI-generated materials. This research builds upon Bearman et al.’s (2024) work on evaluative judgement as a pedagogical tool to support learners as they work with AI-mediated texts. The paper uses this lens to identify challenges that learners have in applying writing knowledge to AI-mediated situations and to devise pedagogical means to support student learning in these contexts. We found that, while students could typically evaluate structural components of writing, they struggled to evaluate conceptual ideas both for AI and human generated texts. The findings speak more generally to the need for students to develop their evaluative abilities, as well as ways that AI may reveal and amplify existing challenges that learners have with evaluating the quality of writing, engaging with source materials, and applying genre knowledge to create meaning.

Doctoral education often treats academic writing as a solitary, human-centered activity, guided by conventions that emphasize structure, clarity, and discipline. These frameworks rarely consider how other-than-human entities shape the writing process. This article explores how multispecies assemblages inform doctoral writing, proposing that knowledge production can be understood as an eductive process – an unfolding of latent ideas through relationship with the so-called “natural” world. Drawing on examples from my own work, I share an excerpt from a multispecies duoethnographic project that seeks to recognize and incorporate other-than-human perspectives. I reflect on how these encounters have shaped my scholarly voice and academic identity, challenging dominant assumptions about writing as an isolated human endeavor. Reimagining writing as a relational, evolving practice, I offer reflections for integrating multispecies sensibilities into doctoral training and invite educators, researchers, and students to view academic writing as a collaborative process shaped by entanglements of human and more-than-human life.

This article examines how students use and perceive digital writing tools, including chat platforms and generative AI, within academic writing environments. It describes a qualitative study of 15 undergraduate students in guided focus group discussions. In a grounded theory analysis of focus group transcripts, the researchers explored undergraduates’ sense of copresence—their perception of support through both human interaction with both peers and instructors and AI technologies during their writing processes. Findings reveal that students’ trust in both peer feedback and AI assistance plays a crucial role in their writing, shaping their decisions about which tools to use and how they integrate human and AI feedback in the development and revisions of their writing. The study sheds light on students’ nuanced understanding of the affordances and limitations of multimodal chat platforms and generative AI technologies. We conclude by highlighting the need for pedagogical practices that support students’ choice of tools when collaborating in digital spaces. We suggest future research directions that will enable us to better understand how copresence and trust influence students’ writing in these contexts.

By Molly Ryan. Mentorship in the field of writing studies is broadly understood to be an essential facet of disciplinary matriculation, but its features are sometimes slippery to define. Indeed, mentorship is difficult to concisely describe and more challenging still to enact in practice. When it does take root, however, both mentor and mentee are aware of the power and benefits of this sometimes-elusive dynamic. In my own experiences both in my MA and PhD programs, my exceptional mentors entered my life through what sometimes felt like serendipitous chance, as in, I was (luckily) in the right place at the right time to meet them. I know too well how lucky I am to have them as my guides, colleagues, and sometimes even friends, but even as a grateful recipient of the best-case scenario for mentorship, so to speak, I find myself continuing to reflect on how we as a field might better scaffold the dynamic of mentor/mentee.

By Meghan Hancock. I came to Threshold Conscripts: Rhetoric and Composition Teaching Assistantships—as I think many of us would—with vivid memories of my first semester teaching first-year writing. I felt some panic and anxiety, of course, at the very idea of a teaching role, but I was also struggling to reconcile the conflicting roles I carried. As Laura R. Micciche puts it in the Foreword to this collection, I was “not-quite teacher and not-quite student,” but was, nevertheless, asked to take on the important role of introducing students to college-level writing (xii). The anxieties and learning moments brought about by these intersecting identities make graduate student instructors of composition a rich and vital population to study, and yet as this collection consistently argues, the field of Writing Studies needs more scholarship examining their experiences. It is this gap that Threshold Conscripts, edited by William Macauley, Jr., Leslie R. Anglesey, Brady Edwards, Kathryn M. Lambrecht, and Phillip K. Lovas, addresses in its collective works that closely analyze the lived experiences of graduate RCTAs (rhetoric and composition teaching assistants) as they attempt to balance their multiple roles as teachers and students.

Gitte Frandsen Kiernan, Julia, Alanna Frost, and Suzanne Blum Malley. Translingual Pedagogical Perspectives: Engaging Domestic and International Students in the Composition Classroom. Utah State University Press, 2021. My first encounter with the concept of translingualism was in a graduate seminar where Bruce Horner, Min-Zhan Lu, Jacqueline Jones Royster, and John Trimbur’s Language Difference in Writing: […]

Megan McIntyre Abstract In response to a growing awareness of the oppressive foundations of educational institutions, literacy educators have turned to antiracist, culturally responsive (Alim and Paris; Paris), and equitable teaching and assessment practices to combat the inequities (colonialism, racism, sexism, homophobia, ableism, etc.) on which our institutions are built. According to scholars including Geneva […]

Raffaella Negretti, Hans Malmström, and Jonathan Weidow Abstract In this program profile, we describe the development of an integrated, genre-based writing curriculum in first-year engineering physics at a technical university in Sweden. The curriculum aimed at supporting undergraduate students develop disciplinary literacy and an understanding of the exigencies that different scientific genres fulfill, with a […]

Abstract Taking their cue from the internet and popular cultures in which they engage, college students are becoming more comfortable with the notion of intersectionality, a term first coined in the late 1980s by the critical race scholar Kimberlé Crenshaw. Drawing from her legal training as well as Black feminist precursors such as Sojourner Truth, Crenshaw shows how to best understand the experiences of the multiply marginalized, not through a simple process of addition (woman plus Black, for instance) but through a careful attention to the way in which the specific combination of those two identities can create new forms of marginalization obscured by single-vector frameworks. For those who teach undergraduate writing students, the proliferation of intersectionality in cultural conversation offers a unique opportunity: here is a densely theoretical concept that students are eager to think about and which, in fact, they may already be thinking about. This piece provides a pedagogical model for approaching intersectionality in the writing classroom. Using Langston Hughes's richly ambiguous short story, “Seven People Dancing,” which foregrounds the racial, sexual, class, and gender identities of its characters, the article guides instructors through a process by which students can use theoretical concepts to produce stronger analyses of complicated texts.

Jennifer L. Bay is professor of English at Purdue University, where she teaches undergraduate courses in the professional and technical writing major and graduate courses in technical and professional writing, community engagement, experiential learning, and rhetorical theory. Her work has appeared in journals such as the Journal of Business and Technical Communication, Journal of Technical Writing and Communication, IEEE Transactions on Professional Communication, and Technical Communication Quarterly.Felisa Baynes-Ross is an assistant course director of English 1014 (writing seminars) and senior lecturer in English at Yale University where she teaches courses in expository writing, creative nonfiction, and pedagogy. Both in her teaching and writing, she is interested in aesthetics of dissent, which she explores in medieval polemical treatises and poetry and historical narratives on the Caribbean. Her published work appears in the Journal of Medieval and Early Modern Studies, Caribbean Quarterly, and The Caribbean Writer.Caitlin Cawley is the assistant director of the writing program and an advanced lecturer of English at Fordham University. She teaches courses in twentieth and twenty-first-century American literature, composition and rhetoric, critical theory, and film studies. Her scholarship has appeared in the Journal of the History of Ideas, Journal of American Studies, The Faulkner Journal, and The Oakland Review and has received generous support from the US Army Heritage Center and the National Endowment for the Humanities.Tracy Clark is a senior lecturer in the Professional Writing program at Purdue University. Research interests include accessibility and usability, public health communication, multimodal content development, and the intersection of gender identity and neurodiversity in technology use.Garrett I. Colón is a doctoral candidate in the Rhetoric and Composition program at Purdue University and the assistant director of content development for the Purdue OWL. His research interests include technical and professional communication, user experience design, community engagement, and writing across the curriculum.Adrianna Deptula is a current doctoral student in the Rhetoric and Composition program at Purdue University. Her research interests include science, technology, and medicine (STM); patient advocacy; and new materialism.Shelley Garcia is associate professor of English at Biola University where she teaches courses on race, gender, and culture in American literature, as well as composition and rhetoric. She has published on Chicana feminist authors who write across genre, focusing on the intersections of form, identity, and resistance. Additional research interests that have emerged from her teaching include the role of literary studies in developing intercultural competence, the theme of abjection in Toni Morrison's novels, and representations of the femme fatale in American modernist fiction.Eliza Gellis is a recent graduate of the Rhetoric and Composition doctoral program at Purdue University. Her research interests include comparative rhetorics, public and cultural rhetorics, rhetorical theory, and pop culture.Caroline Hagood is an assistant professor of literature, writing, and publishing and director of Undergraduate Writing at St. Francis College in Brooklyn. Her scholarship has appeared in journals including Resources for American Literary Study, Texas Studies in Literature and Language, Pennsylvania Literary Journal, and Caribbean Literature, Language, and Culture.Emily Rónay Johnston is an assistant teaching professor in writing studies at the University of California, Merced, and a New Directions Fellow through the Andrew W. Mellon Foundation. She holds a PhD in English studies from Illinois State University, an MFA in creative writing from the University of Alaska, Fairbanks, and a BA in women's studies from the University of California, Davis. Prior to academia, she worked in a domestic violence shelter and an addiction recovery center for women. She has published articles on the relationship between writing and adversity, as well as the restorative promises of writing pedagogy in the face of adversity, in College Composition and Communication (2023), Writers: Craft & Context (2022), Rhetoric of Health and Medicine (2020), and elsewhere.Pamela B. June is associate professor of English at Ohio University Eastern, where she teaches women's literature, American literature, literature and social justice, and writing courses. She is the author of two books, Solidarity with the Other Beings on the Planet: Alice Walker, Ecofeminism, and Animals in Literature (2020) and The Fragmented Female Body and Identity: The Postmodern, Feminist, and Multiethnic Writings of Toni Morrison, Theresa Hak Kyung Cha, Phyllis Alesia Perry, Gayl Jones, Emma Pérez, Paula Gunn Allen, and Kathy Acker (2010). In 2021, she earned the Ohio University Outstanding Professor Award in Regional Higher Education.Nate Mickelson is clinical associate professor and director of faculty development in the Expository Writing Program at New York University. He is author of City Poems and American Urban Crisis, 1945 – Present (2018) and editor of Writing as a Way of Staying Human in a Time That Isn't (2018). Nate's scholarly writing has appeared in Criticism; Journal of Modern Literature; Journal of Urban Cultural Studies; Learning Communities Research and Practice; and Journal of College Literacy and Learning.Ryan Michael Murphy is an assistant professor of business communication in the department of business information systems at Central Michigan University. He completed his PhD in rhetoric and composition at Purdue University in 2022. His current research focuses on the transfer of knowledge and skills between academic and nonacademic settings with a special interest in the ways business communication pedagogy can better recognize the experiences and knowledge students bring into the university.Jenni Quilter is executive director of the Expository Writing Program and assistant vice dean of general education in the College of Arts and Sciences at New York University (NYU). She is author of Hatching: Experiments in Motherhood and Technology (2022) and Painters and Poets of the New York School: Neon in Daylight (2014). She's currently writing and publishing about silent cinema, bodybuilding, Zeno's paradoxes, Afro-futurism, North African piracy, Norway, and animal migration. Quilter won NYU's Golden Dozen Teaching Award in 2014.Sahar Romani is a clinical assistant professor in the Expository Writing Program at New York University (NYU), where she teaches in the College of Arts and Sciences. She has published poems and essays in Guernica, Poetry Society of America, Entropy, The Offing, The Margins and elsewhere. She's received fellowships from Poets House, Asian American Writers’ Workshop, and NYU's Creative Writing Program.Megan Shea is a clinical professor and faculty mentor in the Expository Writing Program at New York University, where she teaches in the Tisch School of the Arts. Shea is the author of Tragic Resistance: Feminist Agency in Performance (2025). Her articles have been published in Theatre Journal, Theatre Topics, and the Journal of Dramatic Theory and Criticism. Shea is also an actor, director, and playwright. Her gender-bending play Penelope and Those Dang Suitors was selected as a 2018 winner in Hudson Valley Shakespeare's ten-minute play contest.Christina Van Houten is a clinical associate professor in the Expository Writing Program at New York University, where she teaches in the Tandon School of Engineering. She is completing her first book Home Fronts: Modernism and the Regional Framework of the American Century. Her articles have been published in Comparative Literature Studies, Women's Studies, Politics and Culture, and Workplace: A Journal of Academic Labor.Bethany Williamson is associate professor of English at Biola University, where she teaches courses in British and global literatures, literary theory, and academic writing. Her current interests include ecocritical approaches to the long eighteenth century and articulating the humanities’ value in the age of artificial intelligence. She is the author of Orienting Virtue: Civic Identity and Orientalism in Britain's Global Eighteenth Century (2022), as well as articles in journals such as Eighteenth-Century Fiction, the Journal for Early Modern Cultural Studies, South Atlantic Review, and ABO: Interactive Journal for Women in the Arts, 1640–1830.Elisabeth Windle is senior lecturer of English and women, gender, and sexuality studies at Washington University in St. Louis, where she teaches advanced writing courses and introductory courses in gender and sexuality studies, as well as courses on queer US literature, true crime, and contemporary fiction. She formerly taught in the College Writing Program. Her work has been published in MELUS and Camera Obscura.Mira Zaman is an associate professor of English at Borough of Manhattan Community College, City University of New York. Her research centers on representations of the devil in eighteenth-century British literature, and she is also passionate about teaching composition and rhetoric. Her scholarship has appeared in Persuasions, ANQ, Marvell Studies, and Eighteenth-Century Life.

This is a book review of Change and Stability in Thesis and Dissertation Writing: The Evolution of an Academic Genre by Paltridge and Starfield (2024).

This article introduces booksprints as an innovative teaching and learning format for academic writing for undergraduate students. Booksprints foster writing with alternative concepts of authorship and enable students to collaboratively go through an almost authentic digital writing and publishing process in a minimum of time, and at the same time facilitate various future skills, such as written communication, coping with change, and digital literacy. Still being in a ‘prototype’ phase, booksprints are only just being tested as a potential educational format that is a bridge between subject matter and writing/teaching methodology. This article, therefore, presents the basic design of booksprints as well as some specific features, such as moderation of the process by the facilitator, explicit role assignments, visualized project management and the use of digital platforms, in order to introduce them as a writing-intensive learning setting for higher education.

Background: Responding to current research gaps in the investigation of researcher identity development among graduate students, we implement a longitudinal study, powered by user-experience (UX) methods, to document engineering doctoral students’ identity formation. Literature review: Identity formation in novice engineering researchers, such as doctoral students remains underexamined. A process-oriented approach to studying researchers’ identity development may yield useful theoretical and programmatic insights. UX methods offer visual and qualitative approaches to the understanding of student experiences by revealing their identity formation journey over time. Research questions: 1. How can UX methods like persona building support studies of researcher identity development? 2. How can the insights generated from longitudinal UX methods inform graduate program design and assessment? Methodology: Twenty participants were recruited from an industrial engineering department at an R1 university. Data were collected via surveys, qualitative interviews, and journey mapping. Analysis methods, informed by a phenomenological perspective, included persona building and collaborative affinity diagramming. Results: Seven distinctive personas were created to represent identity formation experiences influenced by learning modality, attitude, program stage, and prior experience. Theoretical conclusions and opportunities for academic programming emerged from affinity diagrams. Conclusion: Doctoral engineering students’ researcher identity formation presented implications for theory and curricular design. UX methods offered benefits to qualitative research that can support cross-disciplinary efforts.

The Northeast Ohio Medical (NEOMED) University Writing Center was founded in the winter of 2022 to support its medical, pharmacy, and graduate students. Through trial, error, and creativity, the Writing Center Specialists developed a successful writing center offering collaborative synchronous and asynchronous sessions. Often, graduate education needs a different type of support than undergraduate students do: in-house editing combined with traditional theory. This initiative highlights the importance of writing and editing support in medical education, addressing diverse needs across NEOMED’s colleges and promoting effective writing practices. On February 21, 2022, in a small meeting space between two offices, Brian sat at a large, wooden, boardroom table staring out the large window into the Aneal Mohan Kohli Academic & Information Technology Center, the official name of the Northeast Ohio Medical University (NEOMED) Library, waiting for the first students to appear for in-person writing tutoring. One week prior, Brian had signed a part-time (20 hours a week) contract to lead a writing center pilot project that ended on June 30, 2024. Brian was the Writing Center Specialist and was tasked with creating a writing center to support the more than 1,000 medical, pharmacy, and graduate students at NEOMED and had less than 30-months to do it. NEOMED is a stand-alone medical university in the rural community of Rootstown in Northeast, Ohio. It is not connected via physical space to any hospital system. NEOMED does not confer any undergraduate degrees but does offer several master’s and PhD programs for its students within its College of Graduate Studies. There are over 600 medical students, 300 pharmacy students, and more than 100 graduate students attending NEOMED. The school is within 50 miles of several teaching hospitals that partner with the NEOMED students in Cleveland, Akron, Canton, and Youngstown areas. The closest clinical location is a 20-mile drive from NEOMED’s campus. Brian’s background was in English Composition and Rhetoric, having taught at several universities since 2010. He worked in a Writing Center as a graduate student and followed writing center theory closely. Now, he was creating a writing center, carte blanche. He was given a common room and two offices. He had a small budget for paper products, a laptop, a bulletin board, and access to various means of communication. He met with the leaders of the three different colleges and asked the same questions: how can a writing center help your students? The answers were all different and began to mold the theoretical approach. NEOMED was founded in 1973 to meet Northeast Ohio’s critical need for primary care physicians. Much of the writing support for the College of Medicine (COM) was provided by the Assistant Director of Student Affairs and the Assistant Dean of Student Affairs. In the College of Pharmacy (COP), the Assistant Dean of Student Success worked with students as they navigated writing assignments. In the College of Graduate Studies (COGS), individual professors were tasked with this writing support. While the individual colleges attempted to support their students in their writing, typically, only the high-stakes professional writing—resumes, curriculum vitae (CVs), personal statements, and letters of intent—were given priority. As an example, the Assistant Director of Student Affairs for the COM reviewed 150-160 CVs and personal statements between May and July each year. The group of third-year medical students submitted their applications for residency programs through the Electronic Residency Application Service (ERAS), the system used by medical graduates to apply for specialized training positions in hospitals. COGS, in which Brian had been an adjunct professor since 2018, needed academic writing support for its students. Many of the nine graduate programs had writing assignments throughout the semester. Some of the program’s students wrote master’s theses and others wrote doctoral dissertations. Many of these students utilized the Writing Center for support. Professors in COGS also asked Brian to create several writing specific videos which covered topics on grammar, punctuation, research writing, and formatting. COP had one goal in mind for the Writing Center, and that was supporting their second language learning (SLL) students. The SLL students struggled with plagiarism, understanding prompts, taking notes, research writing, and reaching out for help. In August 2023, 18 months after Brian was hired, funding was allocated to hire an SLL specialist, and Brook was hired to support the SLL students, specifically those in pharmacy. COM had a detailed list of needs for the Writing Center, much of which was high stakes writing. The number one need of the COM was to support the 600+ medical students as they create their professional CVs. Then, the Writing Center was asked to collaborate with the students as they create personal statements for residency applications and research opportunities. Medical students also created oral and poster presentations, journal articles, and many other writing projects. The University provided its students with 20 hours of writing support. Yet, after a week of being open, students did not come for the support they needed. Brian sent emails to cohorts. Announcements were made. It was clear that sitting at a table facing the window to the library and waiting for students to start coming in for in-person tutoring sessions was not happening. The typical, in-person consultation consisted of reading the paper out loud in the undergraduate writing center world that Brian was accustomed to. Undergraduate writing theory was not what the NEOMED students needed. Instead, it took trial and error, a lot of support, a little bit of money, and some creativity to establish the NEOMED Writing Center as a fully funded center of the University. Ultimately, the NEOMED Writing Center pilot program is a story that all graduate schools can use to create their own writing center. By promoting asynchronous sessions, screenshares, and collaboration, a graduate school writing center became successful.

Writing centers in Brazil emerge from an internationalization initiative that combines tutoring students on academic assignments and translating Portuguese articles written by faculty and graduate students into English. Thus, they arise from local needs and contexts. Three articles about writing centers in Brazil have been published, and only one mentioned student tutors’ views. This research aims to understand their views on being part of a Brazilian writing center while pursuing their majors and graduate courses. Through narratives, four participants have voiced challenges regarding dealing with texts from a diversity of fields, handling technical terms, and expressed varying degrees of self-confidence when working with a text written by an individual in a scholarly higher position. Regarding growth opportunities, the student tutors mentioned the development of soft skills and teamwork, improvement in performing reading and writing tasks in their undergraduate programs, and opportunities to increase their knowledge in other fields. The discussions presented in this paper contribute to tutors’ training and to other research on student tutors, as well as to the landscape of what writing centers do in the domain of international publishing. In the U.S., writing centers emerged from labs and clinics (Carino, 1995) and were a resource for college writing assistance for undergraduate students from the 1970s on. However, this is not a common scenario in Brazilian high schools or higher education institutions. Universities in Brazil originated in the 1900s, meaning that higher education is a relatively recent phenomenon. The Brazilian educational system was established based on a “banking model of education” (Freire, 1970/2007), a metaphor used to describe students as containers into which educators must deposit knowledge, reinforcing that knowledge came from outside. Students were not encouraged as creators of new ideas and little was done to develop students’ critical thinking and writing skills, bearing resemblance to the observations made by Mora (2022) on her Mexican context. In this regard, writing centers are not a national reality and are not found in high schools or universities, as most of the writing practice is devoted to the essay students need to write to be accepted in the university entrance exam (Cons & Rezende, 2024; Martinez, 2023). Brazilian undergraduate and graduate students struggle to meet the demands of higher education, accomplishing academic tasks such as an undergraduate thesis and writing for publication without the help or the culture of pursuing the assistance of a writing center. Additionally, the pressure to publish internationally is an obstacle that faculty and graduate students must face, especially since high-impact journals publish in English and the Brazilian population is not bilingual. English language schools are profitable businesses in Brazil as compulsory education does not provide proper conditions for learning foreign languages. Thus, to cope with this demand, most graduate departments are applying part of their budgets to pay for translation and editing services (Martinez & Graf, 2016). Prof. Ron Martinez observed this scenario at the Federal University of Paraná (UFPR) and proposed the creation of the first Brazilian writing center – CAPA – Centro de Assessoria de Publicação Acadêmica (Academic Publishing Advisory Center) in 2016 to offer both translation and tutoring services (Martinez, 2023). Through this action, he aimed to apply resources inside the institution and provide academic and professional development to the students and faculty. Following the creation of CAPA, seven other writing centers were established in the state universities of Paraná, Brazil in the second semester of 2021. The writing center at our university is one of them. Since its creation, our center has offered tutoring and translation services, with its staff comprised of a university lecturer as a coordinator and graduate and undergraduate students as tutors and translators. These student tutors use English as a second language and are majoring mainly in English Language and Literature; however, students from other areas are welcome and have been part of the center. The increasing popularity of paid editorial services (Hartwood, 2019; Martinez, 2023) underscores the importance of writing centers offering sophisticated machine learning (ML) editing assistance, ensuring that all individuals may benefit from these services irrespective of financial circumstances. These two realities demonstrate that globalization and internationalization initiatives have influenced the tasks performed by some writing centers. In Brazil, student tutors are mainly involved in translation services from Portuguese to English, editing manuscripts in Portuguese and English, and tutoring undergraduate students in their academic tasks in Portuguese or in English. Performing these responsibilities involves challenges, and as a result, we want to explore the challenges and benefits of working as a tutor. Though inspired by aspects of American models, writing centers in Brazil arise from local needs and contexts that display their distinct histories (Martinez, 2023). They emerge from an internationalization initiative that combines tutoring students on academic assignments and translating Portuguese articles written by faculty and graduate students into English (Cons & Rezende, 2024). There are only three international publications about Brazilian writing centers: Martinez (2023), Cons and Rezende (2024), and Cons et al. (2025). Martinez (2023) explores the emergence and development of writing centers in Brazil, using the author’s experience as the founder of the Academic Publishing Advisory Center (CAPA) at the Federal University of Paraná. Cons and Rezende (2024) conducted their research at CAPA and focused on one particular consultation as a case study. Cons et al. (2025) discuss preliminary tutor impressions about Generative AI and evaluate how formal training on the use of Generative AI has impacted the translation and tutoring practices at CAPA. Even though these three articles present the Brazilian reality, none of them look at student tutors’ perspectives on working at a writing center in Brazil. International publications that focus on tutors (Thompson et al., 2009; Thonus, 2001, for example) have centered their research on the North American context. The current research presents the tutors’ voices on being part of a Brazilian writing center and advances the discussion about how writing centers in Brazil create situated practices with transnational applications (Mora, 2022). To contribute to the landscape of what writing centers do (Jackson & McKinney, 2012), this article addresses the following questions: What are the challenges faced by these student tutors? To what extent do student tutors at one Brazilian writing center perceive their work at the center as beneficial for their individual growth?

Artificial intelligence-based Language Tools (AILTs) are being increasingly used in essay writing in higher education. Its application promotes global and multicultural perspectives in education and plays a critical role in advancing scholarly communication and research dissemination. However, these benefits cannot be measured without also considering student perspectives. This study analyzes the positive and negative aspects identified by students regarding the use of AILTs in their written texts at university. A total of 314 undergraduate and graduate education students were surveyed, and results were analyzed using the Reinert method. The results show that positive aspects are linked to the three pillars of text construction (planning, textualization, and revision). The negative aspects highlight concerns about academic integrity and student competencies. These findings can help guide teachers on how they can promote the responsible and beneficial use of AILTs.

Background: Instructors in STEM fields help prepare students to be effective communicators in the workplace, partially through instruction of professional genres such as client-facing reports. At the same time, class sizes are increasing, and writing assessment often falls to teaching assistants (TAs). Literature review: Research suggests that TAs possess a maturing but inchoate sense of writing in their field, which potentially complicates their ability to deliver quality feedback. This study uses frame semantics, a form of discourse analysis, to probe TAs for their beliefs about writing in statistics. Research questions: 1. When asked to describe the function and role of writing in statistics, what lexical verbs do TA informants use? 2. What frames are invoked by those verbs? 3. How do the invoked semantic frames position writing in relation to disciplinary and professional work in the field? Research methodology: This study interviewed three TAs from an introductory statistics course about their perceptions of writing in statistics. Frame semantics was used to analyze TA responses. Results: Less experienced TAs tended to perceive writing as a means of presentation, which entailed a weak sense of the role of rhetoric in technical communication and a muddied understanding of writing assessment. The more advanced TA perceived writing as a means of contextualizing statistical evidence for particular audiences. Conclusion: Due to their maturing perceptions of writing in their disciplines, TAs might not possess the ability to deliver quality formative feedback. One means of support for these TAs may be opportunities to discuss assessment decisions with one another, thereby calibrating against available expectations and rubrics.

How can posthumanism help us reframe AI-mediated literacy practices? And what implications does such reframing have for cultivating AI literacy in language and literacy education? This article explores these two imperative questions through a case study analyzing two multilingual undergraduate students’ meaning-making and meaning-negotiation intra-actions with AI technologies in a writing classroom. The case study reveals a productive tension between these students’ experiments with posthumanist literacy and their entrenched humanistic assumptions. Ultimately, through the case study, the authors hope to demonstrate that reframing and re-engaging with AI literacy through a posthumanist lens may offer students and educators a relational approach to developing and cultivating AI literacy.

This case study investigates how two ESL graduate students, Ian and Sam, use ChatGPT in their research writing after receiving a comprehensive tutorial based on Warschauer et al.’s (2023) AI literacy framework. We analyzed their engagement with ChatGPT across prompt categories including genre, content, language use, documentation, coherence, and clarity. Data were collected from research paper drafts, ChatGPT chat histories, and interviews. Data analyses included coding ChatGPT prompts, textual analysis of drafts, and thematic analysis of interview transcripts . Results show that while both participants utilized ChatGPT for understanding genre conventions and content development, they developed distinct approaches reflecting their individual backgrounds. Ian selectively used ChatGPT for specific assistance needs, while Sam engaged more systematically, particularly for APA style and coherence checks. Both approaches maintained academic integrity and scholarly voice, demonstrating that Generative AI tools can be effectively tailored to individual needs without compromising ethical standards. This study highlights how advanced ESL writers can adapt GenAI tools to their unique writing processes, offering insights into the diverse ways AI can enhance academic writing while preserving individual agency. The findings suggest that AI integration in academic writing can be customized to support diverse writing goals and backgrounds.

Kristina Quynn Abstract CSU Writes supports researchers as writers across their career span at Colorado State University. The program emerged in an already rich writing ecosystem that includes a Writing Center and the WAC Clearinghouse. Since 2015, CSU Writes has helped thousands of faculty, postdoctoral fellows, and graduate students write more regularly, skillfully, and with […]

Caitlin Martin and Mandy Olejnik Abstract Composition, rhetoric, and writing studies (CRWS) as a field has historically recognized the importance of mentoring for graduate students, but there can be a disconnect between learning theory and how mentoring occurs in practice. In this article, we argue for a more systematic approach to graduate student mentoring that […]