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Challenging the thesis of Stanley Fish’s recent book Save the World on Your Own Time, the author argues that political awareness was vital to the development of a productive basic writing pedagogy, and that composition teachers can responsibly work from their own political values in the classroom.

In the tradition of work by Shaughnessy (1977) and Bartholomae (1980) applying concepts from second language acquisition research to developing writing, we explore the commonalities of L1 and L2 writers on the specific level of linguistic choices needed to order information within and across sentence boundaries. We propose that many of the kinds of constructions in L1 and L2 writing most difficult to categorize, labeled as errors, are in structures that are, from the writers’ perspective, principled attempts to meet their obligation of managing information. We examine 90 essays written by college students, 60 by native speakers, and 30 by nonnative speakers, and identify 360 non-target-like structures that are attempts to manage information. There are similarities in number and type of these constructions used by L1 and L2 developing writers.

This essay describes the results of a scholarship of teaching and learning project examining the transition of underprepared first-year writers at an open admission institution as they struggled to translate their first-semester instruction into second-semester success.

The Converging Literacies Center (CLiC) is a deeply integrated model for writing programs, bringing together the writing center, first-year writing, basic writing, professional development activities, graduate coursework, and research activities to re-imagine and support twenty-first-century literacies. What is unique about CLiC is not merely the extent of this integration but the non-traditional populations from which research and best practices emerge: The vast majority of our undergraduates are first-generation college students.This webtext discusses the need for programs like this one as well as the specific steps we have taken to develop CLiC (and why). It includes video, audio, web, and text-based media elements.

This article presents interviews with six composition and rhetoric teachers who teach writing in prison. Mina Shaughnessy’s 1976 article “Diving In: An Introduction to Basic Writing” is used as a heuristic with which to look at this material. As little work is available on the experience of teaching writing in prison, these interviews are a preliminary step in describing and understanding this transformative experience. The differences between the prison writing teachers and the teachers Shaughnessy describes illuminates how much the field of composition has grown in the last forty years. The interviews with these six teachers speak to the experiences of teachers in community outreach teaching situations and may be a step in understanding and articulating these experiences.

This article examines Yale’s “Awkward Squad” of basic writers between 1920 and 1960. Using archival materials that illustrate the socioeconomic conditions of this early, “pre-Shaughnessy” site of remedial writing instruction, I argue for a re-definition of basic in composition studies using local, institutional values rather than generic standards of correctness applied uniformly to all colleges and universities.

In this article, we offer practical suggestions for teaching writing to diverse groups of students who represent the fields of composition studies, basic writing, and ESL.

This article uses one basic writer’s experience with assessment as a vehicle to explore whether the assessment practices struggling writers encounter on their essays effectively usher them into academic discourse or simply scare them away from that ambition entirely.

A film that presents a compelling and particularly American moral dilemma provides the scaffolding that helps basic writing students to construct convincing argumentative essays.

Case histories of basic writing programs at regional campuses need to incorporate concerns of social class. Attention to class helps scholars identify institutional patterns that distance basic writing from the university’s mainstream business.

This study follows the progress of 238,032 students who enrolled in either an ESL composition, a developmental composition, or a college composition course at one of nine community colleges for a minimum of three and a maximum of eleven years.

Contrastive rhetoric provides tools that community college teachers need in order to understand the rhetorical forms that students from other cultures employ. Greater understanding of contrastive rhetoric can change the way that teachers interpret the difficulty linguistically different students may have in using conventional American academic writing patterns and can provide new avenues for teaching those patterns.

While some students need more writing instruction than others, The Politics of Remediation reveals how that need also pertains to the institutions themselves. Mary Soliday argues that universities may need remedial English to alleviate their own crises in admissions standards, enrollment, mission, and curriculum, and English departments may use remedial programs to mediate their crises in enrollment, electives, and relationships to the liberal arts and professional schools. Following a brief history of remedial English and the political uses of remediation at CCNY before, during, and after the open admissions policy, Soliday questions the ways in which students' need for remedial writing instruction has become widely associated with the need to acculturate minorities to the university. In disentangling identity politics from remediation, she challenges a powerful assumption of post-structuralist work: that a politics of language use is equivalent to the politics of access to institutions.

Reflecting the rich complexity of contemporary college composition pedagogy, this unique collection presents twelve original essays on several of the most important approaches to the teaching of writing. Each essay is written by an experienced teacher/scholar and describes one of the major pedagogies employed today: process, expressive, rhetorical, collaborative, feminist, critical, cultural studies, community service, and basic writing. Writing centers, writing across the curriculum, and technology and the teaching of writing are also discussed. The essays are composed of personal statements on pedagogical applications and bibliographical guides that aid students and new teachers in further study and research. Contributors include Christopher Burnham, William A. Covino, Ann George, Diana George, Eric H. Hobson, Rebecca Moore Howard, Susan C. Jarratt, Laura Julier, Susan McLeod, Charles Moran, Deborah Mutnick, Lad Tobin, and John Trimbur. An invaluable tool for graduate students and new teachers, A Guide to Composition Pedagogies provides an exceptional introduction to composition studies and the extensive range of pedagogical approaches used today.

E-mail peer response teaches students about audience and text more effectively than synchronous peer response.

Foregrounding issues of race, ethnicity, and education, this article ties together two important issues in teaching (so-called) basic writing: how social and pedagogical issues in higher education shape possibilities for bicultural students’ writings and how these students can use their developing sense of literacy and their texts to explore identity.

Foregrounding issues of race, ethnicity, and education, this article ties together two important issues in teaching (so-called) basic writing: how social and pedagogical issues in higher education shape possibilities for bicultural students' writings and how these students can use their developing sense of literacy and their texts to explore

In this article, we identify in the formation of U.S. college composition courses a tacit policy of English monolingualism based on a chain of reifications of languages and social identity. We show this policy continuing in assumptions underlying arguments for and against English Only legislation and basic writers. And we call for an internationalist perspective on written English in relation to other languages and the dynamics of globalization.

Describes the experiences of the author as she tries to transfigure her students enrolled in freshman writing and college preparatory writing classes at Blue Mountain Community College in Pendleton, Oregon (located in the “dry side” of the state). Addresses students' racism, homophobia, and distrust of their own skills in writing.

Research Article| October 01 2001 Overcoming Inertia in the Basic Writing Classroom at Midsemester Laurie Bower Laurie Bower Search for other works by this author on: This Site Google Pedagogy (2001) 1 (3): 535–538. https://doi.org/10.1215/15314200-1-3-535 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Laurie Bower; Overcoming Inertia in the Basic Writing Classroom at Midsemester. Pedagogy 1 October 2001; 1 (3): 535–538. doi: https://doi.org/10.1215/15314200-1-3-535 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2001 Duke University Press2001 Article PDF first page preview Close Modal Issue Section: From the Classroom You do not currently have access to this content.

Abstract In his essay “Disciplinary Identities: On the Rhetorical Paths between English and Communication Studies,”; Steven Mailloux notes that “many compositionists in the seventies and eighties did not find it necessary to claim to be a scientific discipline “(16). I respond to this claim by focusing on the new discourse about writing that emerged in the 1970s in work by Emig, Shaughnessy, Flower & Hayes, and others. Distinguishing between the “formative “ (intellectual) contexts from which this work drew, and the “receptive”; contexts in which it came to valued, used, and resonate, I show that whereas the roots of this work were almost exclusively empirical, their effects in the receptive context, including beyond the academy, were deeply rhetorical.

Presents a questionnaire that helps gather valuable information about students’ attitudes toward mandatory placement in basic writing courses. Concludes that with the kind of information gleaned from responses to questionnaires similar to this one, educators can better understand the strengths and weaknesses of basic writing programs and revise their curriculum and placement procedures as necessary.

Four case studies of proficient undergraduate writers from working-class backgrounds were conducted in the context of a course preparing sophomore and junior students to be tutors for first-year basic writers. It was found that, in contrast to much of the theorizing by and about working-class academics that emphasizes loss, a stronger theme in these students’ narratives of growing academic literacy was gaming. Students explained their experiences in ways that suggested a greater degree of agency, an awareness of themselves as writers in a contact zone, and a stance of tricking teachers on the way to producing acceptable texts. These findings suggest that writing in the contact zone of the classroom may require a double-voicedness that need not always be heard by instructors but is nevertheless important to students.

Presents a sequenced writing assignment on shopping to aid basic writers. Describes a writing assignment focused around online and mail-order shopping. Notes steps in preparing for the assignment, the sequence, and discusses responses to the assignments.

Presents and describes a narrative writing assignment used by the author in a developmental writing course that helps to demonstrate to students how and why sexist language usage can limit thinking, sometimes injuriously, and that concretely illustrates how language and gender stereotyping interact causally. Describes the assignment, how it is used in class, and class discussions resulting.

Describes how the author uses the poems of Edgar Lee Masters’ “Spoon River Anthology” in her developmental writing classes to foster literary discussion, build vocabulary, and teach a broad range of essay writing skills.

Edward Schiappa. The Beginnings of Rhetorical Theory in Classical Greece. New Haven & London: Yale University Press, 1999. x + 230 pages. Maureen Daly Goggin. Authoring A Discipline: Scholarly Journals and the Post‐World War II Emergence of Rhetoric and Composition. Manwan, NJ: Lawrence Erlbaum, 2000. vii‐xxviii + 262 pages. $59.95 cloth. Ann E. Berthoff. The Mysterious Barricades, Language and Its Limits. Toronto: University of Toronto Press, 1999. 191 pages. Nancy Lee Chalfa Ruyter. The Cultivation of Body and Mind in Nineteenth‐Century American Delsartism. Westport, CT: Greenwood Press, 1999. 152 pages + 17 photographs and illustrations. $55.00 hardcover. Brenda Jo Brueggemann. Lend Me Your Ear: Rhetorical Constructions of Deafness. Washington, DC: Gallaudet University Press, 1999. 336 pages. $49.95 cloth. Laura Gray‐Rosendale. Rethinking Basic Writing: Exploring Identity, Politics, and Community in Interaction. Mahwah, NJ: Lawrence Erlbaum Associates, 2000. vii‐xiv + 191 pages. $39.95 cloth. $19.95 paper.