Through a Looking-Glass: Invention and Imagination in the Visual Rhetoric of William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure

Pauline Reid

doi:10.1525/rh.2016.34.3.268

Rhetorica Aug 2016

Through a Looking-Glass: Invention and Imagination in the Visual Rhetoric of William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure

Pauline Reid University of Denver

Abstract

This paper explores the intersections of visual rhetoric, cognition, and phenomenology in two early illustrated print texts, William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure. Through this analysis, I argue that the visual, material features of these works (illustrations, inscriptions), in addition to their spatial figures and metaphors (mirrors, colors, and measurements), mediate and connect reader to image, perceiver and perceived object, and rhetorical form and matter. Caxton's Mirrour and Hawes's Pastime portray rhetoric as ultimately dependent on the visual imagination, or fantasy, of the reader.

Journal: Rhetorica
Published: 2016-08-01
DOI: 10.1525/rh.2016.34.3.268
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Open Access: Closed
Topics: rhetorical criticism multimodality
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Through a Looking-Glass: Invention and Imagination in the Visual Rhetoric of William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure

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