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Feedback agency is a key concept in enhancing student writing performance. While growing attention has been paid to student feedback agency, existing research remains largely theoretical and qualitative. As a result, there is a lack of psychometrically supported instruments to measure this construct. To address this gap, the present two-phase study aimed to develop and evaluate a Student Feedback Agency Scale (SFAS), drawing on social cognitive theory. In the development stage, Principal Component Analysis (PCA) was conducted on a sample of 235 Chinese international postgraduate students. The results yielded a 23-item SFAS comprising six components: Action Taking, Goal Setting, Processing, Generating, Self-efficacy, and Seeking. Using an independent sample of 349 participants from the same population, Confirmatory Factor Analysis (CFA) was conducted in the evaluation stage. The results supported a good model fit (RMSEA = .055, IFI = .923, TLI = .908, and CFI = .922). Multi-group CFAs further confirmed the structural invariance across gender, academic level, and discipline. Overall, the findings provide psychometric evidence to support the interpretation and use of the SFAS scores to measure student agency in writing feedback processes. Based on these results, the factor structure and subscales of the SFAS are discussed, and implications are outlined.

This experiment tested the impacts of demographic congruence between synthetic humanlike spokesperson avatars and learners. Among 437 U.S. working adults, congruence did not affect knowledge transfer, and effects on perceived effectiveness and belonging were confined to one subgroup: Heterosexual White men rated incongruent avatars as more effective yet reported lower belonging with avatars of the same race but different gender. No other subgroup showed significant effects. Behavioral avatar choices mirrored this pattern. These findings identify a precise intersectional boundary condition, suggesting that effectiveness ratings alone may mask inclusion gaps. Implications for corporate training and business communication pedagogy are discussed.

This article contributes to conversations among feminist rhetoricians about the rhetoricity of work by investigating the affordances of “career” as a chronotope that both disrupts and reinforces sexist and racist hierarchies. A case study, this article focuses on a scrapbook assembled by Helen Jacobson Richardson, one of the first stewardesses hired by Northwest Airlines in 1939. Like most early stewardesses, Richardson’s employment ended when she married in 1942. This essay argues Richardson’s uptake of the career chronotope invested her work life with greater dignity and contravened assumptions about the inconsequential nature of women’s workforce participation in the mid-twentieth century.

This study investigates how perceived credibility can serve as self-feedback to enhance speaker credibility. Using a critical literacy-informed self-assessment tool, 30 business undergraduates in an advanced business communication course observed the first minute of their recorded presentation at 5-s intervals for 5 non-verbal cues. Coded findings revealed two key gender differences in positioning for speaker credibility: females used fewer body movements, more facial expressiveness and eye contact while males demonstrated greater fluency and more confident hand gestures. These findings may allow instructors and learners to mitigate gender-based differences in the classroom to enhance oral presentation competence critical for workplace success.

This article explores the instructional design practices of three female artificial intelligence tech influencers (AITIs) who use YouTube to teach coding and professional literacies. Our thematic analysis of nine video transcripts featuring generative AI (GAI) yielded themes centered on influencers’ persona development, flexible instructional methods, opportunities for application, and GAI limitations. We conclude the article by identifying a utilitarian ethical dilemma wherein AITIs avoid overt feminist arguments to reach a broader audience.

Automated writing evaluation (AWE) has traditionally emphasized textual features such as vocabulary and syntax, while often overlooking writers’ social identities and cognitive behaviors – factors central to understanding writing as a multidimensional construct. With the increasing integration of large language models (LLMs) into AWE, questions remain about how their assessments align with human judgments and the sources of potential divergences. This study investigates how linguistic (e.g., lexical diversity), cognitive (e.g., pausing behavior), and social (e.g., gender) factors covary with essay scores assigned by human raters and LLMs. We analyzed 4245 argumentative essays paired with demographic metadata and keystroke-logging data, using correlation analyses, random forest models, and regression-based approaches to examine relationships among writer characteristics, writing-process features, textual features, and essay scores. Results showed moderate agreement between human and LLM scores, but the two scoring systems exhibited different patterns of association with linguistic, cognitive, and social variables. These findings suggest that human and LLM evaluations rely on partially different cues and demonstrate how socio-cognitive metadata can be used to examine the factors associated with writing assessment decisions. By moving beyond text-only comparisons, this approach provides a complementary lens for understanding why and how human and machine judgments converge or diverge.

Workplace gossip has long been a pervasive and intriguing communication phenomenon within organizational settings, yet its impact on group and team dynamics (i.e., coworker relationships and team performance) remains a topic of considerable interest. Drawing upon social exchange theory, this study scrutinizes the interplay between workplace gossip, coworker exchange, team performance and gender. The findings suggest that positive and negative gossip significantly influences coworker exchange, which in turn impacts team performance. Teams with stronger coworker exchange exhibit higher team performance, even in the presence of workplace gossip, and gender has no effect on these dynamics. Implications for scholars and practitioners in the supply chains and logistics industries are discussed.

This article presents critical positive communication pedagogy (CPCP), which synthesizes the fields of critical pedagogy and positive communication pedagogy to promote positive communication practices that develop a social justice sensibility among students. We argue that CPCP contributes to the creation of learner-centered classrooms that promote interpersonal connection, foster feelings of inclusion and belonging, and aid students in achieving sustainable happiness. We provide examples of CPCP in business and professional communication classrooms to promote diversity and inclusion, specifically related to issues of gender and sexuality, race, disability, and class.

This article explores the intersections of queer subjectivity, community storytelling, and recovery literacy through the digital storytelling project, Voices from Rock Bottom (VFRB). Drawing on feminist and queer theoretical frameworks, including queerstory of recovery (Bacibianco) and the concept of rhetorical velocity (DeVoss and Ridolfo), this research highlights how VFRB creates an inclusive multimodal platform for recovering alcoholics and addicts to share their stories beyond the privatized, hegemonic spaces of Alcoholics Anonymous (AA). This article argues that VFRB’s feminist construct creates a civic space where queer recovering alcoholics and addicts can resist institutionalized constraints, perform their stories, and engage in collective knowledge-making. Ultimately, this study advocates for a broader understanding of recovery storytelling as a communal act of dissent that empowers queer individuals to challenge hegemonic frameworks and offer new ways of knowing, being, and narrating recovery experiences in the public sphere, through what the author terms as “queerstory of recovery.” Keywords: Voices from Rock Bottom, queerstory of recovery, recovery literacy, queer subjectivity, queerstory, queer rhetoric, recovery rhetoric

This article presents findings from a content analysis of 707 articles appearing between 2011 and 2020 in five journals issued by the National Council of Teachers of English (NCTE), a major teaching and research organization in North America. We examined topics and theoretical frameworks, finding that while core topics such as academic writing, curriculum, cultural studies, literacy, and teacher development remained stable, the latter part of the previous decade (2016–2020) showed increased attention to labor, diversity, social justice, and writing program administration, alongside declines in work focused on history, educational policy, ESL, and community writing. Many articles lacked explicit theoretical grounding, often using broad labels like “critical theory,” though use of specified frameworks (e.g., feminist and postcolonial theory) has grown. We identify differences among the journals and discuss the implications of these findings for NCTE, for content analysis as a method and for scholars’ efforts to navigate a complex and expanding field.

US higher education faces mounting political pressure and censorship, resulting in threats to our institutional missions and challenges to academic freedom. In this article, we trace two moments in disciplinary history that examine (mis)understandings of how censorship functions: efforts to roll back the Guidelines for Nonsexist Use of Language in NCTE Publications (now Statement on Gender and Language ) and Students’ Right to Their Own Language , both approved by NCTE in the mid-1970s. We draw from the feminist theories of Kate Manne and bell hooks to analyze materials from the NCTE and CCCC archives, documenting the rhetorical and logistical moves employed in these rollback efforts. In doing so, we identify how the exploitation of organizational apparatuses contributed to the subversion of a larger and necessary priority: establishing credible disciplinary boundaries to serve as a bulwark against political encroachment into literacy education. In sorting through these case studies, we offer examination of how misguided censorship accusations can threaten our discipline when actual censorship efforts are enacted by governmental entities.

This study examines how metaphor and gender interact in venture capital pitches. We analyzed 60 pitches from a global competition, comparing metaphor usage between male and female winners and non-winners. Results show distinct metaphor preferences: male entrepreneurs used more BUILDING metaphors, while female entrepreneurs used more WAR and PLANT metaphors. The association between WAR metaphors and female winners suggests strategic metaphorical framing interacts with gender to impact persuasion. These findings reveal that gender norms influence decision making, and entrepreneurs can leverage metaphor to construct persuasive advantages, providing strategic and pedagogical direction for refining their figurative language in practice and training.

This essay argued that, in the post-Dobbs era, reproductive justice-themed mural art serves a memorializing function as well as a site of utopic imagining in a time of declining access to reproductive healthcare. The author has used personal experience as a clinic escort to ground a visual rhetorical analysis of three reproductive justice-themed murals across the United States. The essay has identified recurring aesthetic elements in the murals’ compositions, including the female gaze, flowers in bloom, haloes, bold directional symbols, and affirming text. Drawing on reproductive justice scholarship and feminist rhetorical theories of place, the author argued that these aesthetic elements counter fetal personhood rhetoric and assert reproductive justice principles.

[Introduction] Edited by Linda S. Svitak and Christin Jaye Eaton, with Lee Svitak Dean, and published by the University of Minnesota Press, Kitchens of Hope: Immigrants Share Stories of Resilience and Recipes from Home (2025) fits neatly into the popular genre network of cookbooks that blend essay with recipe, mixing memoir with meals perfected over generations. But this book doesn't simply share the legacy of Liberian rice bread or summer beat soup. It explores the migration of these dishes and their cooks, contextualizing stories of displacement and development. Because of the breadth of this book, Mikhail Bakhtin might describe this collection as a chronotope of sorts, a configuration of time and space that "takes on flesh, becomes artistically visible" (qtd. in Bemong & Borghart, 2010, p. 4). Through Omedi Ochieng's lens of chronotopian humanitarianism, this book is a rhetorical tool for feminist scholarship seeking to counter a Eurocentric understanding of how and why people and stories move around and through the world.

Abstract This article argues that care — especially care grounded in Black feminist traditions — is not an affective supplement to teaching but rather the radical foundation of liberatory pedagogy. Amid rising attacks on critical education and the austerity logics of the neoliberal university, the authors theorize care as infrastructure, method, and resistance. Drawing from the work of bell hooks, Audre Lorde, Patricia Hill Collins, Mia Mingus, and Leah Lakshmi Piepzna-Samarasinha, they offer a framework for care-centered teaching that foregrounds mutuality, trust, and collective accountability. Through vignettes, student reflections, and practices such as trauma-informed design, mutual aid, and collaborative assessment, the article demonstrates how care fosters relational transformation and deep intellectual engagement. It also interrogates the structural devaluation of care labor, particularly for women and faculty of color, and challenges dominant educational paradigms that equate rigor with detachment. As one student reflected, “You believed me when I said I needed more time, without asking for proof. That made me want to do the work even more.” Drawing from their institutional experiences, the authors position teaching as a form of organizing — an insurgent, relational practice that refuses extractive academic norms while building collective conditions for educational and institutional transformation.

Bridget C. Donnelly is an assistant professor of English at Middle Tennessee State University. Her primary teaching areas include eighteenth-century British literature, the novel, and Gothic and horror literature. Her research has appeared in Philosophy and Literature, Studies in Eighteenth-Century Culture, and The Literary Taylor Swift: Songwriting and Intertextuality (2024). She is completing, along with a team of undergraduate and graduate student researchers, a critical edition of Elizabeth Meeke's 1796 The Abbey of Clugny, under contract with Routledge's Chawton House: Women's Novel Series.Kishonna Gray (she/her) is a professor of racial justice and technology in the School of Information at the University of Michigan and director of the Mellon-funded Intersectional Tech Lab. Her research explores the intersections of race, gender, and digital technologies, particularly in gaming and platform culture. She is the author of Intersectional Tech: Black Users in Digital Gaming and Race, Gender, and Deviance in Xbox Live and coeditor of Woke Gaming and Feminism in Play. Gray is also a faculty associate at Harvard's Berkman Klein Center for Internet and Society.Ashley Nadeau is an associate professor of English at Utah Valley University in Orem, UT, where she teaches courses in nineteenth-century British literature and critical theory. Her current research project examines the role of audiobooks in undergraduate literary studies and studies on the Victorian novel. When not thinking about audiobooks, she studies the relationship between the social and architectural histories of built public space and the Victorian literary imagination. Her work has appeared in Nineteenth-Century Contexts, Victorian Literature and Culture, Victorians Journal, The Gaskell Journal, Modern Language Studies, and Undisciplining the Victorian Classroom.Eleanor Reeds is an associate professor of English at Hastings College in Nebraska where she enjoys teaching across genres and periods in a small but vibrant department. Her research has appeared in venues such as Children's Literature Association Quarterly, Victorian Poetry, American Literary Realism, and Twentieth-Century Literature.Tes Schaeffer (she/her) previously served as an advanced lecturer in Stanford's Program in Writing and Rhetoric and as the associate director of the Hume Center for Writing and Speaking. She is currently an assistant professor of English at Central Oregon Community College. Her fields of scholarship include composition and reading pedagogies, affect studies, and phenomenology.Krysten Stein (she/her) is an assistant professor of communication at the University of Cincinnati Blue Ash College. She is a research affiliate with the Intersectional Tech Lab at the University of Michigan's School of Information and the Center on Digital Culture and Society at the University of Pennsylvania's Annenberg School for Communication. Her research explores reality television and social media, with a focus on identity, political economy, and wellness. She is completing her first book, And How Does That Make You Feel? Theratainment and the Digital Commodification of Mental Health, and is a cofounding member of the Content Creator Scholars Network.Lisa Swan is an advanced lecturer in the Program in Writing and Rhetoric at Stanford University. She holds a PhD in curriculum and instruction with a specialization in English education from the University of Maryland, College Park. Her research interests include writing studies, pedagogy, reading, teacher training, and equity.

This paper reports on a user experience (UX) study investigating how college students navigate university-sponsored online systems for sharing chosen name and pronouns. While the opportunity to share gender identity ostensibly enables inclusive and usable systems for queer students, the visibility of gender nonconformity also imposes surveillance concerns, as pronouns have become an organizing tool for governments and university boards intent on limiting diversity, equity, and inclusion initiatives. Drawing from trans and queer scholarship, this article suggests that the concept of visibility should be closely scrutinized in design settings where heightened visibility can present risks to bodily autonomy or safety.

The CIA's Operation PBSuccess represents a pivotal moment in Cold War securitization that illuminates technical communication's role in security contexts. We use Haas and Frost's apparent decolonial feminist (ADF) rhetoric of risk to trace how communicators mediated security logics across cultures and networks while exploiting technological asymmetries between the US and Guatemala. Building on theories of risk and (in)security framing, we demonstrate how the scriptwriters and hosts of Radio Liberación , as technical communicators, functioned as security actors complicit in the decades-long aftermath. We conclude by calling on technical communicators to approach risk communication through continued decolonial praxis.

Using multilevel modeling, the current study examined student-level predictors of compositional quality and productivity in Grade 2 Australian children ( N = 544), including handwriting automaticity, literacy skills, executive functioning, writing attitudes, and gender; and classroom-level ( n = 47) variables predicting students’ writing outcomes, including the amount of time for writing practices and the explicit teaching of foundational (handwriting, spelling, grammar) and process writing skills (planning and revision strategies). Multilevel analyses revealed that student-level factors, including gender, general attitudes, and transcription skills (handwriting automaticity and spelling), were key predictors of writing outcomes. Interaction analyses showed that spelling and word reading influenced writing outcomes, with effects varying by gender. At the classroom-level, time spent on planning had a positive effect on students’ compositional quality, and time spent on spelling instruction had a negative effect on students’ compositional productivity. Implications for research and education are discussed.

This webtext invites audiences to engage with Conference Creatures, an experiment in feminist new materialist praxis in which the authors create and distribute crochet creatures at academic conferences. Through photos, videos, and interactive elements, we demonstrate how Conference Creatures enacts non-extractive forms of networking that move our professional spaces toward relational praxes of belonging in academia, particularly for graduate students and junior scholars.

Motivated by needs for intersectional, student-involved class participation research, I report the results of an exploratory study of student participation disaggregated by race, gender, disability, and their intersections. Surveying students (n=42) about their identities, attempts to participate, and motivations for participation, I found White students attempted on-time work at a greater rate, while Latinx students attempted it less than peers. Female students attempted exit ticket reflections more often than peers, and male Latinos attempted labor reflections less often. Explanations emphasized ease, habits, self-regulation, and learning. Disabled participants cited habits more, and White men cited self-regulation less. This study contributes to scholarship in participation and assessment, with implications for classroom assessment and policies. I conclude with directions for future research and a classroom heuristic.

This study responds to claims in the popular press and within everyday academic life about the effects of modality and the COVID-19 pandemic on student learning. We analyzed grade data from a semester (Fall 2021) in which the institution we studied had nearly all first-year writing (FYW) students randomized and evenly distributed among fully on-campus, fully online, and hybrid FYW sections. We also analyzed grade data prior to the pandemic (2015–2019) and during the pandemic (2020–2021). We used binary logistic regression to see if course modality and/or the pandemic timeframe influenced student grades. Results were mixed, with little evidence that modality had an effect and more evidence that the pandemic time period may have had an effect. A more consistent finding was that the grading history of instructors was nearly always significant and meaningful regardless of modality or time period. Race, gender, extra academic support, and section type also had significant effects.

In Feminist Technical Communication , Erin Clark both articulates and demonstrates an apparent feminist lens on the idea of slow crisis. She does this through a case study of the Deepwater Horizon Disaster (DHD), the 2008 oil spill into the Gulf of Mexico in which the lack of clear answers on health impacts demonstrates a critical need for transparency. By tracing DHD through a feminist lens and under the realm of crisis management, Clark raises important questions about what we mean when we talk about efficiency, how we define crisis, and how critical these questions are to the reconsideration of technical communication as neutral or objective. Her primary argument focuses on her theoretical contribution of apparent feminism that works to acknowledge and bring to light the need for explicitly feminist practices. Through Feminist Technical Communication , Clark provides scholars, practitioners, and community members with a new approach to crisis and risk communication.

This article focuses on the seldom-discussed literacies of the Hip Hop audio engineer through the experiences of Lyrix, a Black woman audio engineer from the Midwest. Grounded in the literature of literacy scholars invested in the sonic dimensions of Hip Hop culture, two research questions guide this article: How does one develop their expertise as an audio engineer, and what insights can be gathered about literacy learning by focusing on marginalized Hip Hop figures, such as women audio engineers? This article ultimately argues that Lyrix’s experience underscores a nonlinear approach to sonic literacy education, highlighting a transitory approach that ruptures and flows through barriers of access. The article concludes with suggested starting points for future research on Hip Hop literacy studies in particular and literacy studies more broadly.

Writing studies scholarship lauds reflection’s capacity for building metacognitive understanding and facilitating transfer. Meanwhile, feminist and antiracist pedagogy scholarship highlights reflection’s ability to create spiritual and societal change. By contextualizing reflection within institutional and programmatic contexts, we argue that writing scholars can revise assignments to account for reflection’s contributions to civic and spiritual identity development. This cross-institutional case study analyzes patterns in first-year students’ reflective writing across three writing programs. Drawing on five codes for reflective identities—scholarly, writerly, professional, civic, and spiritual—we found that scholarly and writerly identities were emphasized regardless of context. However, students often had an “excess” in reflection, writing about civic and spiritual growth when prompts did not invite it. In conversation with university and program mission statements, we argue that instructors and WPAs can leverage reflection to expand beyond a single classroom context, ultimately tapping into its potential to create individual and social change.

Megan McIntyre Abstract In response to a growing awareness of the oppressive foundations of educational institutions, literacy educators have turned to antiracist, culturally responsive (Alim and Paris; Paris), and equitable teaching and assessment practices to combat the inequities (colonialism, racism, sexism, homophobia, ableism, etc.) on which our institutions are built. According to scholars including Geneva […]

This study investigated the effects of assessor gender (male vs. female), fictitious assessee gender (male vs. female), and assessment training (with vs. without) on peer feedback specificity (i.e. localisation and focus) and intrapersonal factors (i.e. trust in the self as an assessor and discomfort). This study involved 240 undergraduate psychology students (nMen=120, nWomen=120), with half receiving assessment training and the other half receiving the task instructions. Participants were divided into eight subgroups based on training condition and their self-reported gender to provide peer feedback to three writing samples (poor, average, excellent quality) by fictitious male or female peer assessees in Eduflow. A total of 3017 peer feedback segments were analysed, revealing that trained or untrained male and female assessors were comparable in most peer feedback specificity categories when assessing fictitious male or female assessees. Nonetheless, we also found that female assessors excelled in certain categories of peer feedback specificity, while male assessors also demonstrated competencies in other categories. Results also showed that assessors who received assessment training provided localised peer feedback in all the writing samples. Finally, gender and training did not affect participants’ trust in their abilities and (dis)comfort when providing peer feedback.

Abstract Taking their cue from the internet and popular cultures in which they engage, college students are becoming more comfortable with the notion of intersectionality, a term first coined in the late 1980s by the critical race scholar Kimberlé Crenshaw. Drawing from her legal training as well as Black feminist precursors such as Sojourner Truth, Crenshaw shows how to best understand the experiences of the multiply marginalized, not through a simple process of addition (woman plus Black, for instance) but through a careful attention to the way in which the specific combination of those two identities can create new forms of marginalization obscured by single-vector frameworks. For those who teach undergraduate writing students, the proliferation of intersectionality in cultural conversation offers a unique opportunity: here is a densely theoretical concept that students are eager to think about and which, in fact, they may already be thinking about. This piece provides a pedagogical model for approaching intersectionality in the writing classroom. Using Langston Hughes's richly ambiguous short story, “Seven People Dancing,” which foregrounds the racial, sexual, class, and gender identities of its characters, the article guides instructors through a process by which students can use theoretical concepts to produce stronger analyses of complicated texts.

Abstract Kate Chopin's The Awakening (1899) offers a feminist critique of marriage conventions and the Cult of Domesticity that prevailed in the nineteenth century. Yet hidden behind protagonist Edna Pontellier's entrapment in marriage and domestic life lies another systemic hierarchy: white privilege sustained by African American labor. Building from existing scholarship and from sources on teaching race, this essay explores the hidden Black labor that allows Edna's “awakening” to happen at all, given that the entire system is built around white privilege. This essay considers ways to teach The Awakening to a college literature class, illuminating the historical silencing and limitations of Black people in the United States and identifying the mechanisms of white privilege. The essay poses a key question for students: how do the silent Black bodies in The Awakening reinforce white privilege? Using various pedagogical approaches, this essay aims to help students investigate, uncover, and confront white privilege in other texts and in their world.

Jennifer L. Bay is professor of English at Purdue University, where she teaches undergraduate courses in the professional and technical writing major and graduate courses in technical and professional writing, community engagement, experiential learning, and rhetorical theory. Her work has appeared in journals such as the Journal of Business and Technical Communication, Journal of Technical Writing and Communication, IEEE Transactions on Professional Communication, and Technical Communication Quarterly.Felisa Baynes-Ross is an assistant course director of English 1014 (writing seminars) and senior lecturer in English at Yale University where she teaches courses in expository writing, creative nonfiction, and pedagogy. Both in her teaching and writing, she is interested in aesthetics of dissent, which she explores in medieval polemical treatises and poetry and historical narratives on the Caribbean. Her published work appears in the Journal of Medieval and Early Modern Studies, Caribbean Quarterly, and The Caribbean Writer.Caitlin Cawley is the assistant director of the writing program and an advanced lecturer of English at Fordham University. She teaches courses in twentieth and twenty-first-century American literature, composition and rhetoric, critical theory, and film studies. Her scholarship has appeared in the Journal of the History of Ideas, Journal of American Studies, The Faulkner Journal, and The Oakland Review and has received generous support from the US Army Heritage Center and the National Endowment for the Humanities.Tracy Clark is a senior lecturer in the Professional Writing program at Purdue University. Research interests include accessibility and usability, public health communication, multimodal content development, and the intersection of gender identity and neurodiversity in technology use.Garrett I. Colón is a doctoral candidate in the Rhetoric and Composition program at Purdue University and the assistant director of content development for the Purdue OWL. His research interests include technical and professional communication, user experience design, community engagement, and writing across the curriculum.Adrianna Deptula is a current doctoral student in the Rhetoric and Composition program at Purdue University. Her research interests include science, technology, and medicine (STM); patient advocacy; and new materialism.Shelley Garcia is associate professor of English at Biola University where she teaches courses on race, gender, and culture in American literature, as well as composition and rhetoric. She has published on Chicana feminist authors who write across genre, focusing on the intersections of form, identity, and resistance. Additional research interests that have emerged from her teaching include the role of literary studies in developing intercultural competence, the theme of abjection in Toni Morrison's novels, and representations of the femme fatale in American modernist fiction.Eliza Gellis is a recent graduate of the Rhetoric and Composition doctoral program at Purdue University. Her research interests include comparative rhetorics, public and cultural rhetorics, rhetorical theory, and pop culture.Caroline Hagood is an assistant professor of literature, writing, and publishing and director of Undergraduate Writing at St. Francis College in Brooklyn. Her scholarship has appeared in journals including Resources for American Literary Study, Texas Studies in Literature and Language, Pennsylvania Literary Journal, and Caribbean Literature, Language, and Culture.Emily Rónay Johnston is an assistant teaching professor in writing studies at the University of California, Merced, and a New Directions Fellow through the Andrew W. Mellon Foundation. She holds a PhD in English studies from Illinois State University, an MFA in creative writing from the University of Alaska, Fairbanks, and a BA in women's studies from the University of California, Davis. Prior to academia, she worked in a domestic violence shelter and an addiction recovery center for women. She has published articles on the relationship between writing and adversity, as well as the restorative promises of writing pedagogy in the face of adversity, in College Composition and Communication (2023), Writers: Craft & Context (2022), Rhetoric of Health and Medicine (2020), and elsewhere.Pamela B. June is associate professor of English at Ohio University Eastern, where she teaches women's literature, American literature, literature and social justice, and writing courses. She is the author of two books, Solidarity with the Other Beings on the Planet: Alice Walker, Ecofeminism, and Animals in Literature (2020) and The Fragmented Female Body and Identity: The Postmodern, Feminist, and Multiethnic Writings of Toni Morrison, Theresa Hak Kyung Cha, Phyllis Alesia Perry, Gayl Jones, Emma Pérez, Paula Gunn Allen, and Kathy Acker (2010). In 2021, she earned the Ohio University Outstanding Professor Award in Regional Higher Education.Nate Mickelson is clinical associate professor and director of faculty development in the Expository Writing Program at New York University. He is author of City Poems and American Urban Crisis, 1945 – Present (2018) and editor of Writing as a Way of Staying Human in a Time That Isn't (2018). Nate's scholarly writing has appeared in Criticism; Journal of Modern Literature; Journal of Urban Cultural Studies; Learning Communities Research and Practice; and Journal of College Literacy and Learning.Ryan Michael Murphy is an assistant professor of business communication in the department of business information systems at Central Michigan University. He completed his PhD in rhetoric and composition at Purdue University in 2022. His current research focuses on the transfer of knowledge and skills between academic and nonacademic settings with a special interest in the ways business communication pedagogy can better recognize the experiences and knowledge students bring into the university.Jenni Quilter is executive director of the Expository Writing Program and assistant vice dean of general education in the College of Arts and Sciences at New York University (NYU). She is author of Hatching: Experiments in Motherhood and Technology (2022) and Painters and Poets of the New York School: Neon in Daylight (2014). She's currently writing and publishing about silent cinema, bodybuilding, Zeno's paradoxes, Afro-futurism, North African piracy, Norway, and animal migration. Quilter won NYU's Golden Dozen Teaching Award in 2014.Sahar Romani is a clinical assistant professor in the Expository Writing Program at New York University (NYU), where she teaches in the College of Arts and Sciences. She has published poems and essays in Guernica, Poetry Society of America, Entropy, The Offing, The Margins and elsewhere. She's received fellowships from Poets House, Asian American Writers’ Workshop, and NYU's Creative Writing Program.Megan Shea is a clinical professor and faculty mentor in the Expository Writing Program at New York University, where she teaches in the Tisch School of the Arts. Shea is the author of Tragic Resistance: Feminist Agency in Performance (2025). Her articles have been published in Theatre Journal, Theatre Topics, and the Journal of Dramatic Theory and Criticism. Shea is also an actor, director, and playwright. Her gender-bending play Penelope and Those Dang Suitors was selected as a 2018 winner in Hudson Valley Shakespeare's ten-minute play contest.Christina Van Houten is a clinical associate professor in the Expository Writing Program at New York University, where she teaches in the Tandon School of Engineering. She is completing her first book Home Fronts: Modernism and the Regional Framework of the American Century. Her articles have been published in Comparative Literature Studies, Women's Studies, Politics and Culture, and Workplace: A Journal of Academic Labor.Bethany Williamson is associate professor of English at Biola University, where she teaches courses in British and global literatures, literary theory, and academic writing. Her current interests include ecocritical approaches to the long eighteenth century and articulating the humanities’ value in the age of artificial intelligence. She is the author of Orienting Virtue: Civic Identity and Orientalism in Britain's Global Eighteenth Century (2022), as well as articles in journals such as Eighteenth-Century Fiction, the Journal for Early Modern Cultural Studies, South Atlantic Review, and ABO: Interactive Journal for Women in the Arts, 1640–1830.Elisabeth Windle is senior lecturer of English and women, gender, and sexuality studies at Washington University in St. Louis, where she teaches advanced writing courses and introductory courses in gender and sexuality studies, as well as courses on queer US literature, true crime, and contemporary fiction. She formerly taught in the College Writing Program. Her work has been published in MELUS and Camera Obscura.Mira Zaman is an associate professor of English at Borough of Manhattan Community College, City University of New York. Her research centers on representations of the devil in eighteenth-century British literature, and she is also passionate about teaching composition and rhetoric. Her scholarship has appeared in Persuasions, ANQ, Marvell Studies, and Eighteenth-Century Life.

Because evidence is still limited on writing motivation around the globe and the factors that could influence it, a survey-based quantitative study with 2,067 Costa Rican students from first to sixth grade (84 classrooms in 4 schools) was conducted to explore variations in two constructs of motivation for school writing across school grades and gender in Costa Rican students. Attitudes towards writing were investigated with students from first to sixth grade, while self-efficacy beliefs towards writing were investigated with students from third to sixth grade. Results show that students’ positive attitudes towards writing decreased with grade level, with the highest positive attitudes found in second grade and the lowest in sixth grade. Grade level only determined students’ perceived self-efficacy for generating ideas and concentrating during writing, but not for punctuation and spelling, which is interpreted in relation to the Costa Rican writing education curriculum. Girls from second to sixth grade reported more positive attitudes towards writing than boys; however, they only had higher self-efficacy beliefs for generating ideas and not for punctuation, spelling, or concentrating on a writing task.