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The study highlights the crucial role of professional social media and LinkedIn instruction for students seeking employment. An analysis of 20 business and technical communication textbooks identifies significant gaps between textbook guidance and real-world expectations. Some textbooks in both fields fall short in offering actionable strategies for creating and maintaining a professional social media presence. While many textbooks emphasize the importance of social media or LinkedIn, most fail to provide concrete examples or best practices, such as keyword optimization for AI, effective networking strategies, and best practices for posting content. Grounded in digital literacy theory and professional identity formation, the study provides teaching recommendations, including the identification and adoption of supplemental materials to teach professional social media usage.

This article explores factors influencing classroom assessment approaches by analyzing survey data from 326 U.S. college instructors teaching business, communication, and composition. Business and communication instructors adopt nontraditional grading methods far less than composition instructors. Departmental culture and disciplinary norms are major influences, along with constraints like class size, time, and technology. The article argues that instructors can and should question departmental grading norms to develop assessment methods that enhance learning in interdisciplinary courses like business communication.

This mixed-methods study investigates the development of intercultural communicative competence (ICC) among Bangladeshi university students through the creation of online advertisements for products like tea, kettles, and mango drinks. Grounded in the frameworks of Ertay and Gilanlioglu’s multidimensional ICC scale, Kress and van Leeuwen’s social semiotics, and Dooly’s asynchronous interculturality, the research examines how student-made ads serve as cultural texts that manifest evolving ICC. Quantitative results from 90 participants revealed significant disparities in self-assessed ICC, with Attitude scoring highest (71%) and Awareness lowest (54%). Longitudinal analysis of 60 students showed Language Appropriateness improved most (37%, p  < 0.01), while Visual Cultural Cues showed minimal gains (18%, p  = 0.08), indicating a cultural bias in visual literacy development. Pedagogically, advertisement creation supported by a structured ICC rubric yielded significantly higher competence gains (29%) than case studies or ad creation alone. Qualitative findings illuminated the challenges students faced in negotiating “glocal” identities and the emotional labor of cultural mediation. The study concludes that student-generated advertisements are potent pedagogical artifacts for ICC development but require tailored, critically reflective scaffolding to address contextual biases and effectively prepare students for the demands of global digital business communication.

This article examines the notion of “secure-base relationships” in kindergartens. While this concept originally emphasized early emotional bonds between parents and children, recent developments in attachment theory highlight its interconnectedness with social relationships. However, the dichotomy between a secure base and exploration remains prevalent in the literature. Adopting a practice-based approach informed by rhetorical listening, we analyse kindergarten teachers’ descriptions of exploratory processes with children. Examples from two phases of a project on the theme of the universe are discussed in light of the concepts of ethos and habitual places. Findings suggest that secure-base relationships in kindergartens are closely interwoven with exploration, forming a polyvocal and dynamic place that involves choice and risk. Embodied interactions in familiar activities are shown to support relationships, and alternating positions in play emerges as a beneficial pedagogical strategy to support a culture of sharing. Finally, the relevance of a civic notion of ethos for kindergarten communities is underscored.

Abstract: This paper examines the reception of the pseudo-Quintilianic Declamationes maiores in the 14th and 15th centuries, highlighting in particular the important role of Lorenzo Valla's Elegantie lingue Latine as a medium for humanistic engagement with these rhetorical texts. Calderini, teaching at the Studium of Rome, used the Declamationes maiores as a study text, demonstrating a practical application of these declamations in the context of humanist pedagogy. Poliziano, on the other hand, although he did not engage directly with the Declamationes maiores , still occasionally cited the controversiae in his commentaries. Together, these examples illustrate that, for humanists of the late fifteenth century, access to, understanding of, and engagement with the Declamationes maiores were often mediated by Valla's Elegantie , which served as a conduit for their interpretative practices and as a source for quotations.

Generative artificial intelligence (AI) is increasingly used in writing assessment, particularly for automated essay scoring (AES) and for generating formative feedback within automated writing evaluation (AWE). While AI-driven AES enhances efficiency and consistency, concerns regarding accuracy, bias, and ethical implications raise critical questions about its role in assessment. This paper examines the impact of generative AI on teacher agency through an ecological perspective, which considers agency as shaped by personal, institutional, and sociocultural factors. The analysis highlights the need for teachers to critically mediate AI-generated scores and feedback to align them with pedagogical goals, ensuring AI functions as an assistive tool rather than a determinant of assessment outcomes. Although AI can streamline assessment, over-reliance risks diminishing teachers’ evaluative expertise and reinforcing biases embedded in AI systems. Ethical concerns, including transparency, data privacy, and fairness, further complicate its adoption. To address these challenges, this paper proposes a framework for responsible AI integration that prioritizes bias mitigation, data security, and teacher-driven decision-making. The discussion concludes with pedagogical implications and directions for future research on AI-assisted writing assessment. • Teachers can actively mediate AI-generated scores to maintain agency. • Dependence on AES may weaken teachers’ evaluative skills. • Bias, data privacy, and AI opacity can undermine teachers’ decision-making. • AI literacy and hybrid assessment models can promote teacher autonomy. • A framework for protecting teacher agency in generative AI–based AWE is presented.

While existing research on second or foreign (L2) feedback has predominantly focused on the effectiveness of various feedback practices and their impacts on writing performance, limited attention has been devoted to learners’ proactive role in seeking feedback, and how this important yet underexplored construct correlates with conative and affective variables remains insufficiently examined. To help fill that void, we sought to explore the concept of feedback-seeking behavior and its antecedents in L2 writing by examining the correlations with future L2 writing selves and emotions, particularly unpacking the mediating effect of emotions in the emotion-driven chain of “motivation→emotion→increased or decreased behavior” among 225 undergraduate English major students. Structural equation modeling unveiled that ideal and ought-to L2 writing selves directly and significantly influenced emotions, and emotions impacted the two dimensions of feedback-seeking behavior significantly. More importantly, ideal L2 writing self indirectly influenced feedback monitoring and feedback inquiry through the mediation of writing enjoyment. Nevertheless, writing boredom exercised no significant mediating effect on future L2 selves and feedback-seeking behavior. These findings reinforced the learner-centered perspective that positions students as proactive agents and provide some notable implications for L2 writing instruction to advance our understanding of teacher feedback. • Learners with heightened L2 selves deployed more feedback-seeking strategies. • Experiencing L2 enjoyment fostered distinct feedback-seeking behaviors. • No variations in L2 boredom existed in the link between L2 selves and behavior. • More high-quality research evaluating L2 learners as proactive agents is needed.

Peer evaluation is widely recognized for its educational benefits; however, its reliability and validity, particularly among adolescent second-language (L2) writers at the early stages of English language and literacy development, remain insufficiently explored. This explanatory sequential mixed-methods study investigated the reliability and validity of peer evaluation in English argumentative writing among 35 Grade 10 and 37 Grade 12 students from a public high school in Beijing, China. Twelve of the participating students (six at each grade) were interviewed about the validity, reliability, and value of peer evaluation. The findings indicated that peer evaluations demonstrated high levels of reliability and validity, with peer-assessed writing scores closely aligning with inter-teacher assessments. Notably, variations were observed among Grade 10 students, particularly in the evaluation of lower-order writing skills, such as grammar and vocabulary, which exhibited reduced validity. These results underscore the potential of peer evaluation in assessing higher-order content-level writing across varying levels of L2 English writing proficiency. The study also highlights areas where adolescent L2 writers may require additional support to enhance the effectiveness of peer evaluation practices in English argumentative writing. Implications for improving English argumentative writing instruction and refining peer evaluation strategies in high school L2 English classrooms are discussed. • Peer evaluation shows high reliability, similar to inter-teacher rating. • Peer evaluation works well for higher-order skills in L2 argumentative writing. • 10th graders struggled with evaluating lower-order skills like grammar. • 12th graders evaluate lower- and higher-order skills with greater validity than 10th graders.

As a key attribute of effective writing, coherence remains challenging to teach in language classrooms, with traditional writing instruction frequently overlooking coherence in favor of discrete, rule-based features. This mixed-methods study investigates the effectiveness of explicit coherence instruction on English-as-a-Foreign-Language (EFL) students’ performance on integrated writing tasks. The study employed a controlled experimental design with 64 upper-intermediate-level undergraduate students at a Chinese university, drawing on Hasan’s Cohesive Harmony theory as the theoretical framework. Half of the participants (n = 32) in the experimental group received explicit instruction on coherence with a focus on cohesive chains and cohesive devices in integrated writing, while the control group (n = 32) received standard paraphrasing instruction. Quantitative analysis revealed that the experimental group showed significant improvements in coherence scores and multiple cohesive chain measures. Qualitative discourse analysis of six students’ writing samples from the experimental group demonstrated varying levels of improvement in writing coherence, with high-performing students showing better use of identity chains and pronoun references. The findings revealed that explicit instruction on coherence significantly improved students’ performance in creating coherent integrated writing, particularly through the development of cohesive chains and appropriate use of cohesive devices. This study underscores the pedagogical value of teaching coherence to enhance writing quality and provides concrete strategies for developing more effective teaching approaches for integrated writing tasks in EFL contexts. • The study examined 64 Chinese EFL students using mixed-methods experimental design. • Cohesive Harmony theory served as the framework for assessing writing coherence. • Explicit instruction significantly improved coherence in integrated writing tasks. • High-performing students demonstrated superior identity chain development.

Abstract When teaching in neighboring fields such as creative writing and writing studies, instructors can draw on the explicit recommendations of professional organizations and an existing scholarly consensus about threshold concepts. However, the struggle to define what exactly it is we teach when we are teaching literary studies continues. Rather than advocating for transferable skills in deference to the neoliberal marketplace, we should spend more time explaining to ourselves and to our students the particular practices, habits, and concerns that distinguish literary studies as a valuable scholarly discipline. Metacognition is essential for students to learn, and this can be facilitated more effectively by instructors able to articulate how the methods and goals of a course are informed by disciplinary norms, especially the ubiquitous and yet continually contested practice of close reading. This article reviews both recent scholarship and pedagogical resources on close reading to identify the intertwined challenges of defining and teaching this disciplinary method, making recommendations for more effective classroom practices.

Abstract This article argues that care — especially care grounded in Black feminist traditions — is not an affective supplement to teaching but rather the radical foundation of liberatory pedagogy. Amid rising attacks on critical education and the austerity logics of the neoliberal university, the authors theorize care as infrastructure, method, and resistance. Drawing from the work of bell hooks, Audre Lorde, Patricia Hill Collins, Mia Mingus, and Leah Lakshmi Piepzna-Samarasinha, they offer a framework for care-centered teaching that foregrounds mutuality, trust, and collective accountability. Through vignettes, student reflections, and practices such as trauma-informed design, mutual aid, and collaborative assessment, the article demonstrates how care fosters relational transformation and deep intellectual engagement. It also interrogates the structural devaluation of care labor, particularly for women and faculty of color, and challenges dominant educational paradigms that equate rigor with detachment. As one student reflected, “You believed me when I said I needed more time, without asking for proof. That made me want to do the work even more.” Drawing from their institutional experiences, the authors position teaching as a form of organizing — an insurgent, relational practice that refuses extractive academic norms while building collective conditions for educational and institutional transformation.

Bridget C. Donnelly is an assistant professor of English at Middle Tennessee State University. Her primary teaching areas include eighteenth-century British literature, the novel, and Gothic and horror literature. Her research has appeared in Philosophy and Literature, Studies in Eighteenth-Century Culture, and The Literary Taylor Swift: Songwriting and Intertextuality (2024). She is completing, along with a team of undergraduate and graduate student researchers, a critical edition of Elizabeth Meeke's 1796 The Abbey of Clugny, under contract with Routledge's Chawton House: Women's Novel Series.Kishonna Gray (she/her) is a professor of racial justice and technology in the School of Information at the University of Michigan and director of the Mellon-funded Intersectional Tech Lab. Her research explores the intersections of race, gender, and digital technologies, particularly in gaming and platform culture. She is the author of Intersectional Tech: Black Users in Digital Gaming and Race, Gender, and Deviance in Xbox Live and coeditor of Woke Gaming and Feminism in Play. Gray is also a faculty associate at Harvard's Berkman Klein Center for Internet and Society.Ashley Nadeau is an associate professor of English at Utah Valley University in Orem, UT, where she teaches courses in nineteenth-century British literature and critical theory. Her current research project examines the role of audiobooks in undergraduate literary studies and studies on the Victorian novel. When not thinking about audiobooks, she studies the relationship between the social and architectural histories of built public space and the Victorian literary imagination. Her work has appeared in Nineteenth-Century Contexts, Victorian Literature and Culture, Victorians Journal, The Gaskell Journal, Modern Language Studies, and Undisciplining the Victorian Classroom.Eleanor Reeds is an associate professor of English at Hastings College in Nebraska where she enjoys teaching across genres and periods in a small but vibrant department. Her research has appeared in venues such as Children's Literature Association Quarterly, Victorian Poetry, American Literary Realism, and Twentieth-Century Literature.Tes Schaeffer (she/her) previously served as an advanced lecturer in Stanford's Program in Writing and Rhetoric and as the associate director of the Hume Center for Writing and Speaking. She is currently an assistant professor of English at Central Oregon Community College. Her fields of scholarship include composition and reading pedagogies, affect studies, and phenomenology.Krysten Stein (she/her) is an assistant professor of communication at the University of Cincinnati Blue Ash College. She is a research affiliate with the Intersectional Tech Lab at the University of Michigan's School of Information and the Center on Digital Culture and Society at the University of Pennsylvania's Annenberg School for Communication. Her research explores reality television and social media, with a focus on identity, political economy, and wellness. She is completing her first book, And How Does That Make You Feel? Theratainment and the Digital Commodification of Mental Health, and is a cofounding member of the Content Creator Scholars Network.Lisa Swan is an advanced lecturer in the Program in Writing and Rhetoric at Stanford University. She holds a PhD in curriculum and instruction with a specialization in English education from the University of Maryland, College Park. Her research interests include writing studies, pedagogy, reading, teacher training, and equity.

Abstract This article describes a project taught in a British literature survey course, in which students navigate digital archives like Eighteenth-Century Collections Online (ECCO) to find a “companion piece” to a literary text. The essay shares the goals of the research project, the assignment design, and specific successes and challenges students encounter. The piece additionally offers reflections about teaching the conventional British literature survey course for undergraduate English majors, particularly considering the ways in which digital archives and historicist methodologies can expand students’ understanding of literary canons and the interrelationship between literature and history.

This article reports a case study of teachers’ enactment of writing instruction for adult learners in Swedish as a second language at lower secondary level in municipal education. It highlights instructional practices and discourses surrounding writing in three classrooms. The analysis centers on literacy events initiated by teachers to support adult learners’ final individual assignments. Data consist of classroom observations (24 hours) and informal interviews with teachers. The findings reveal that teachers adopt different positions in their teaching. There are varying levels of support for students, with varying numbers of literacy events occurring both inside and outside the classroom. Teachers universally adjust their methods based on contextual factors, including diverse student groups, local agreements on content, and time constraints, raising questions about equality. Furthermore, a text-focused approach prioritizes templates and models over content. As a result, writing assignments emphasize genre awareness rather than personal views, thoughts, or experiences. In sum, teachers' pedagogical choices in writing instruction are shaped by their beliefs about writing, learning to write, and contextual factors. These differences in teaching practices seem to provide students with partly unequal opportunities for writing development. This is further elaborated in the discussion.

Using multilevel modeling, the current study examined student-level predictors of compositional quality and productivity in Grade 2 Australian children ( N = 544), including handwriting automaticity, literacy skills, executive functioning, writing attitudes, and gender; and classroom-level ( n = 47) variables predicting students’ writing outcomes, including the amount of time for writing practices and the explicit teaching of foundational (handwriting, spelling, grammar) and process writing skills (planning and revision strategies). Multilevel analyses revealed that student-level factors, including gender, general attitudes, and transcription skills (handwriting automaticity and spelling), were key predictors of writing outcomes. Interaction analyses showed that spelling and word reading influenced writing outcomes, with effects varying by gender. At the classroom-level, time spent on planning had a positive effect on students’ compositional quality, and time spent on spelling instruction had a negative effect on students’ compositional productivity. Implications for research and education are discussed.

Historically, scholars differentiated writing center tutors’ nondirective, facilitative talk from writing teachers’ authoritative, directive discourse. Recent research suggests writing tutors and instructors should instead select forms of pedagogical talk based on writers’ individual needs. One understudied tutoring model represents this blending of writing center and composition pedagogies: in read/plan-ahead tutoring, a model paralleling instructor-student conferences, writers submit drafts before sessions so tutors can prepare instructional plans. While this model may better support tutors who work with advanced writers, some worry that planning for consultations may encourage tutors to talk more like teachers than peers. To examine this concern, this study analyzes tutors’ pedagogical talk in thirteen read/plan-ahead consultations. Results indicate most tutor participants use communicative strategies associated with teacher talk, yet most writer participants express satisfaction with consultations. This study suggests this classroom-based model of writing conferencing can be adapted in writing centers while maintaining core principles of peer tutoring.

This article describes two early career tenure-track faculty’s approach to horizontal mentorship and dialogic reflection to adapt their teaching to the needs of Research II graduate writing programs. Collaborative reflection about how their teaching evolved helped the authors not only unlearn their original doctoral training but also reimagine graduate education for their new contexts and students. This small case study on sharing vulnerabilities in horizontal mentorship is a practical example for how newly minted PhDs embark on careers outside of their Research 1 training can critically reflect on their own socialization and create strategic mentoring experiences for each other.

This study responds to claims in the popular press and within everyday academic life about the effects of modality and the COVID-19 pandemic on student learning. We analyzed grade data from a semester (Fall 2021) in which the institution we studied had nearly all first-year writing (FYW) students randomized and evenly distributed among fully on-campus, fully online, and hybrid FYW sections. We also analyzed grade data prior to the pandemic (2015–2019) and during the pandemic (2020–2021). We used binary logistic regression to see if course modality and/or the pandemic timeframe influenced student grades. Results were mixed, with little evidence that modality had an effect and more evidence that the pandemic time period may have had an effect. A more consistent finding was that the grading history of instructors was nearly always significant and meaningful regardless of modality or time period. Race, gender, extra academic support, and section type also had significant effects.

Background: Practitioners, academics, and accrediting boards all recognize the importance of communication to the work of engineers, but ensuring that engineering students graduate with effective communication skills continues to be a challenge for programs. Our project examines this problem within our institutional context, with the goal of serving local needs while extending the literature on engineering communication. Literature review: Prior research identifies communication skill gaps, examines the effectiveness of various approaches to teaching engineering communication, and highlights issues of knowledge transfer. Few studies collect both academic and practitioner perspectives. Research questions: 1. How effectively does the required first-year course provide students with foundational engineering communication skills? 2. How much do students’ communication abilities improve by the time they complete the engineering capstone course in their final semester? 3. To what extent are engineering students graduating with the communication skills they will need to succeed professionally? Research methodology: This study involved technical and professional communication instructors’ analysis of student communication work from two courses: 1. first-year engineering communication and 2. the engineering capstone. The study also included surveys of and follow-up interviews with engineering practitioners regarding the communication skills of capstone students and recent engineering graduates more generally. Results: Student work from the first-year engineering communication course was weak; communication work from the capstone was not substantially stronger, even though students were provided with a detailed template for each assignment. The survey and interviews suggest that practitioners tended to view capstone students’ communication skills favorably but found the skills of new hires who were recent graduates to be weaker. Conclusions: The data emphasize the shortcomings of stand-alone communication courses, issues with knowledge transfer, and the role of institutional contexts.

This article makes a case for the importance of integrating public writing pedagogy in and beyond second language (L2) writing classrooms. Public writing is defined as a situated, distributed act of engaging public audiences through writing, with various semiotic resources and modalities, to make meaning, connect, and bring about social change. L2 writers practice public writing deliberately or unwittingly, for various personal or political purposes, and within various discursive contexts. However, such practices are underresearched, undertheorized, and underdiscussed in L2 writing classrooms, which could be partially ascribed to the disciplinary disposition of the field L2 writing and to the ethical concerns regarding cultural assimilation. The article begins by contextualizing the definitions of public writing in relation to L2 writing. It then explains why it is important to discuss public writing in an L2 writing classroom and consider public writing a legitimate L2 writing issue while acknowledging the pedagogical resistance. In particular, the article highlights the decolonial potential of practicing public writing in an L2. In the final section, the article offers pedagogical guidelines and a graphic framework concerning the “where” and “how” of teaching public writing in an L2.

Using both a Bakhtinian and a collaborative writing framework, in this qualitative study, we sought to understand writing practices in one elementary school. Through observations in three classrooms and interviews with students, the study found that students had opportunities to engage in a variety of collaborative writing activities, including supportive contributions and co-constructing a text. When engaging in supportive contributions, students inspired, assisted, or shared their work with peers. In collaborations of a single text, students who had experiences writing with one another negotiated ideas and texts successfully. In pairs where students experienced conflict, there tended to be fewer collaborative moments, and students sought help from the teacher. The study demonstrates that students’ relationships with one another play a significant role in collaborative writing practices and highlights the important role of friendships in successful interactions.

This study explores educator attitudes, beliefs, and experiences regarding writing and writing instruction before and after participating in a week-long Summer Institute (SI) facilitated by leaders at one National Writing Project (NWP) site. Throughout the SI, the 12 educators (i.e., instructional coaches and classroom teachers) participated in personal, creative, and professional writing designed to support them as writers and writing instructors. Study participants completed a survey before the SI and at its conclusion, which captured their perceptions, attitudes, beliefs, and experiences about writing and writing instruction, as well as the importance of writing in education. Findings demonstrated that many participants viewed themselves as writers prior to the SI with this amount increasing at the conclusion of the SI, and many reported increased writing confidence. There were inconsistencies in the ways participants defined what it means to “be a writer,” and findings suggest that writer identity is influenced by writing confidence and enjoyment, with some participants struggling to navigate the dual identities of writer and writing teacher. Study findings suggest that addressing the writer-teacher identity crisis is crucial for fostering effective writing instruction. Teachers need time, space, and opportunity to immerse themselves in their writing and practice different skills to then apply to their instruction. Buy-in from school districts to provide such opportunities and a willingness to support teacher autonomy will enable teachers to better support students as writers and engage them in meaningful writing instruction for authentic tasks and audiences.

Composing with AI provides research about the rise of generative AI in composition studies, focusing on histories, policies, reports of classroom and student use, multimodal composing and teaching AI literacies.

Businesses increasingly use Artificial Intelligence (AI) Applicant Tracking Systems (ATS) to screen job applicants’ résumés. A summative content analysis auditing how 18 business communication, business English, and technical communication textbooks cover résumés and AI ATS found a lack of consensus. The study identified the challenge of offering specific advice on emerging AI technology in textbooks. The article recommends writing and teaching practice changes when discussing emerging technology and creating or using textbook content.

Self-reflection is expected in business communication teaching, but e-learning has been argued to create an illusion of direct experience as social presence. This study explores how participants’ negotiation of personal agency is constructed in a digital, asynchronic context. Using data collected from a digital classroom of a European business university, I show how participants enact specific strategies in their presentation of self. My aim is twofold: first, to explore how participants negotiate their social identities in a virtual community, and second, to better understand what both educators and enterprise can do to encourage successful dialogue and further humanize digital context.

This article presents a curated collection of 11 teaching innovations presented at the Association for Business Communication 89th conference in Tulsa, Oklahoma, as well as online, in October 2024. These MFA presenters demonstrated teaching ideas specifically on improving students’ skills in working in groups. This My Favorite Assignment 32nd edition introduces readers to these classroom approaches in teaching skills involving group dynamics in business contexts. Teaching support materials—instructions to students, stimulus materials, slides, rubrics, frequently asked questions, links, and sample student projects—are downloadable from the Association for Business Communication website.

This article examines how artificial intelligence is transforming instructor-student communication and student evaluation in higher education. By comparing traditional and AI-mediated communication practices, the study synthesizes current literature on opportunities, challenges, and ethical considerations. The analysis highlights the need for digital literacy, emotionally intelligent AI tools, and balanced pedagogical strategies. Practical and theoretical propositions are provided to guide educators in leveraging AI while preserving human-centered teaching values.

Cross-institutional research of pedagogy in the technical and professional communication classroom is needed to understand social justice teaching across multiple contexts. This collective case study discusses social justice-focused assignments given by eight instructors at different institutions. Results show that institutions with more diverse populations may have advantages in making social justice power differentials salient. Further, teacher positionality impacts the degree of social justice content incorporated.

This paper examines the civic and literacy practices that emerged through virtual feminista pláticas between Adri, a first-year college student and graduate of a “newcomers” high school, and her former teacher. Amidst a context in which transnational and immigrant youth often struggle to find a sense of belonging in educational and civic spaces, this article reveals the importance of relationships and spaces built on trust, care, and the co-construction of knowledge in which multilingual recently arrived youth can elevate their voices. I draw from transcripts of over seven hours of translingual virtual feminista pláticas. I draw on the concepts of border thinking (Anzaldúa, 2012, 2015; Mignolo, 2000) and futurity literacies from the margins (Cervantes-Soon, 2024) to deepen our understandings of speculative civic literacies (Mirra & Garcia, 2022). Findings reveal how Adri drew upon her border thinking to critically interrogate a deeply unjust global context and to imagine alternative futures for herself and her communities. This work highlights the epistemic ingenuity of transnational youth like Adri and the civic and literacy practices that can emerge through methodologies and pedagogies that recognize that ingenuity.

Drawing from theories of youth speculative civic literacies and freedom dreaming, this article explores how youth imagine the future of education and what roles schools and teachers play in fostering students’ dreaming. In this research study, the three co-authors—a literacy professor, an undergraduate English major, and a graduating high school student/future teacher—engage in intergenerational qualitative data analysis to discover how youth cultivate the capacities and imagination to engage in speculative educational dreaming. Through analysis of student interviews and youth counternarratives, we found that the types of interactions students have with their teachers as well as the availability of authentic opportunities for youth to engage in civic thought and action in schools are instrumental in the shaping of youth imagination and agency. For many students, school is something that is happening to them rather than for them. However, when their ideas and voices are heard within schools, it compels students to think about the world outside of school and their place in it. Conceptualizing student dreaming as acts of discovering and moving toward one’s purpose, we posit that engagement in critical civic praxis and relational encounters in learning environments are instrumental factors in the cultivation of youth agency and capacities for freedom dreaming.

By Natalie Shellenberger. This bibliographic essay explores the use of Derrick Bell’s concept of interest convergence in the fields of composition, rhetoric, and writing studies since his definition of the principle in 1980. After a brief overview of the concept of interest convergence and its implications to the fields of rhetoric and writing/composition studies, the main focus of this essay will turn to how it is currently taken up within the discipline: pedagogical development, writing administration, and academic scholarship and where to go from here.

By Meghan Hancock. I came to Threshold Conscripts: Rhetoric and Composition Teaching Assistantships—as I think many of us would—with vivid memories of my first semester teaching first-year writing. I felt some panic and anxiety, of course, at the very idea of a teaching role, but I was also struggling to reconcile the conflicting roles I carried. As Laura R. Micciche puts it in the Foreword to this collection, I was “not-quite teacher and not-quite student,” but was, nevertheless, asked to take on the important role of introducing students to college-level writing (xii). The anxieties and learning moments brought about by these intersecting identities make graduate student instructors of composition a rich and vital population to study, and yet as this collection consistently argues, the field of Writing Studies needs more scholarship examining their experiences. It is this gap that Threshold Conscripts, edited by William Macauley, Jr., Leslie R. Anglesey, Brady Edwards, Kathryn M. Lambrecht, and Phillip K. Lovas, addresses in its collective works that closely analyze the lived experiences of graduate RCTAs (rhetoric and composition teaching assistants) as they attempt to balance their multiple roles as teachers and students.

Megan McIntyre Abstract In response to a growing awareness of the oppressive foundations of educational institutions, literacy educators have turned to antiracist, culturally responsive (Alim and Paris; Paris), and equitable teaching and assessment practices to combat the inequities (colonialism, racism, sexism, homophobia, ableism, etc.) on which our institutions are built. According to scholars including Geneva […]

Rebekah Sims and Sharon Hunter Abstract This program(me) profile describes the development of embedded writing instruction within a Scottish initial teacher education course: the Professional Graduate Diploma in Education (PGDE). This programme is the main entry route into primary and secondary school teaching in Scotland, where all teaching is a university-degreed profession. This profile describes […]

In this teaching tip, we propose purposeful pre- and post-writing conferences as a teacher practice to support young children’s early writing practices. We share how teachers can facilitate children’s idea development through conversational moves during writing conferences and provide a model for what this could look like using a task-based composing prompt.

Asking students to reflect on their learning experiences during a first-year course may not be a radical idea; however, asking them to pre-flect and then reflect on their experiences is an approach that can help set the scene for an effective learning moment. In our Teaching Tip, we detail an activity used in a first-year English Composition course that encourages students to think and pre-flect first, prior to a peer-review activity, which contributes to a more thorough student learning experience. Taking time for pre-flection and reflection can help students question their own contributions in the classroom community (Bean, 2011) and can guide revisions that happen during peer review. Our tip will share the process and actual instructional material so other writing faculty members can replicate this effective experience in their own classrooms.

Assessing the writing competence of pupils learning English as a foreign language (EFL) at primary school is challenging. This study aimed at examining a largely unexplored topic, namely the role of text characteristics in writing assessment, and analysed judgment accuracy differentiated by nine aspects of text quality (communicative effect, level of detail, coherence, cohesion, complexity of syntax and grammar, correctness of syntax and grammar, vocabulary, orthography and punctuation). Two hundred pre-service teachers assessed four randomly assigned texts from learners in grade six. Their assessment was compared to the existing ratings of two experts from a previous study. We found a relative judgment accuracy between r = .34 and .60 for the nine assessment criteria, with vocabulary being assessed significantly more accurately than almost all other criteria. Orthography, complexity and correctness of syntax and grammar and punctuation were rated with significantly more accuracy than cohesion, level of detail, communicative effect and coherence. The pre-service teachers assessed most criteria more strictly and with higher variability than the experts. The results suggest that teacher education should offer pre-service teachers concrete opportunities to practise writing assessment, implement activities to strengthen the assessment of content- and structure-related criteria, and help them adjust their assessment rigour. • Judgment accuracy in the assessment of primary school EFL learners’ texts. • Relative judgment accuracy between r = .34 and .60 for the different criteria. • Significant differences in relative judgment accuracy between assessment criteria. • Linguistic text qualities are assessed with more accuracy than content- and structure-related aspects. • Pre-service teachers are more rigorous and heterogeneous in rating than experts.

Comparative Judgement (CJ) is a pairwise comparison evaluation method, typically conducted online. Multiple judges each compare the quality of a series of paired performances and, from their decisions, a rank order is constructed and scores calculated. Research across different educational contexts supports CJ’s reliability for evaluating written performances, permitting more precise scoring of scripts and for dimension-focused evaluation. However, scant insights are available about the basis of judges’ evaluations. This issue is important because argument-based approaches to validation (common in the field of language testing and adopted in this study) require evidence to support claims about how scores are appropriate for test purpose. Therefore, we investigate the scoring validity of CJ, both when used holistically (the standard application of CJ) and when evaluating scripts by individual criteria (termed dimensions in the research context). Twenty-seven judges evaluated 300 scripts addressing two writing task types in a national English as a Foreign Language examination for young learners in Austria. Judges reported via questionnaires what they had focused on while judging. Subsequently, eight judges provided think-aloud data while evaluating 157 scripts, offering further insight into the writing features they considered and their decision-making during CJ. Findings showed that while most judges adapted a decision-making process similar to traditional rating methods, some adapted their method to accommodate the nature of CJ evaluation. Furthermore, results indicated that the judges considered construct-relevant criteria when using CJ, both holistically and by dimension, thus offering support to an argument for the appropriateness of using CJ in this context. • Comparative Judgement can offer an alternative to analytic rating of EFL writing. • Judges with teaching or rating experience largely focus on relevant text features. • Some judges adopt a decision-making process that appears well suited to CJ. • Dimension-based CJ has the potential to provide richer feedback than holistic CJ.

Abstract Taking their cue from the internet and popular cultures in which they engage, college students are becoming more comfortable with the notion of intersectionality, a term first coined in the late 1980s by the critical race scholar Kimberlé Crenshaw. Drawing from her legal training as well as Black feminist precursors such as Sojourner Truth, Crenshaw shows how to best understand the experiences of the multiply marginalized, not through a simple process of addition (woman plus Black, for instance) but through a careful attention to the way in which the specific combination of those two identities can create new forms of marginalization obscured by single-vector frameworks. For those who teach undergraduate writing students, the proliferation of intersectionality in cultural conversation offers a unique opportunity: here is a densely theoretical concept that students are eager to think about and which, in fact, they may already be thinking about. This piece provides a pedagogical model for approaching intersectionality in the writing classroom. Using Langston Hughes's richly ambiguous short story, “Seven People Dancing,” which foregrounds the racial, sexual, class, and gender identities of its characters, the article guides instructors through a process by which students can use theoretical concepts to produce stronger analyses of complicated texts.

Abstract Kate Chopin's The Awakening (1899) offers a feminist critique of marriage conventions and the Cult of Domesticity that prevailed in the nineteenth century. Yet hidden behind protagonist Edna Pontellier's entrapment in marriage and domestic life lies another systemic hierarchy: white privilege sustained by African American labor. Building from existing scholarship and from sources on teaching race, this essay explores the hidden Black labor that allows Edna's “awakening” to happen at all, given that the entire system is built around white privilege. This essay considers ways to teach The Awakening to a college literature class, illuminating the historical silencing and limitations of Black people in the United States and identifying the mechanisms of white privilege. The essay poses a key question for students: how do the silent Black bodies in The Awakening reinforce white privilege? Using various pedagogical approaches, this essay aims to help students investigate, uncover, and confront white privilege in other texts and in their world.

Abstract Since March 2020, terms like resilient course design, resilient pedagogy, pandemic resilience, and keep teaching have become ubiquitous in higher education. In response to COVID-19, institutions have proselytized about bouncing back. However, what many may have internalized as a survival response to “the unprecedented” — resilience — is intrinsic to what many in English studies teach: the writing process. Writing is an exercise in resilience. To write is to think. To think is to reckon with complexity. And that reckoning requires that one abandons, however momentarily, the illusion of control for the possibility of creating something new. Building on a burgeoning body of scholarship on resilience in critical pedagogy and composition and rhetoric, this article works to normalize resilience in the writing process and in the teaching of First-Year Composition (FYC). In doing so, the article redefines resilience as a rhetorical tool: a flexibility of mindset and moves that student-writers may develop as they encounter different writing situations and reflect on how they navigate those situations, which can guide them in making strategic choices about languaging, in and beyond our classrooms.

Abstract Upon arrival at college, students often experience difficulty integrating themselves into the new space of a university classroom. They may wonder how their previous skills connect to present use or they may feel linguistic, social, gendered, racial-ethnic, or class-related barriers to inclusion — barriers that are all too frequently invisible to faculty members. Classroom Community Agreements (CCAs) can ameliorate these situations by helping students to express their needs to their classmates and to faculty. CCAs operate on principles of antiauthoritarian teaching embraced by bell hooks; they embody Krista Ratcliffe's “rhetorical listening” and Lisa Blankenship's “rhetorical empathy,” both of which offer strategies for orienting instructors’ and students’ awareness to others’ needs within a classroom environment. This article studies the processes and effects of CCAs in a first-year writing program at a large university. Five faculty members from the Expository Writing Program at New York University narrate their practices of creating CCAs, which they initiated both before and during the COVID-19 pandemic. These narratives illuminate the ways CCAs build trust, clarify course values and expectations, and enhance experiences of presence and agency. Collectively, our findings demonstrate the potential that CCAs have to foster student belonging and learning in virtual and physical classroom spaces in first-year writing and other disciplines.

Jennifer L. Bay is professor of English at Purdue University, where she teaches undergraduate courses in the professional and technical writing major and graduate courses in technical and professional writing, community engagement, experiential learning, and rhetorical theory. Her work has appeared in journals such as the Journal of Business and Technical Communication, Journal of Technical Writing and Communication, IEEE Transactions on Professional Communication, and Technical Communication Quarterly.Felisa Baynes-Ross is an assistant course director of English 1014 (writing seminars) and senior lecturer in English at Yale University where she teaches courses in expository writing, creative nonfiction, and pedagogy. Both in her teaching and writing, she is interested in aesthetics of dissent, which she explores in medieval polemical treatises and poetry and historical narratives on the Caribbean. Her published work appears in the Journal of Medieval and Early Modern Studies, Caribbean Quarterly, and The Caribbean Writer.Caitlin Cawley is the assistant director of the writing program and an advanced lecturer of English at Fordham University. She teaches courses in twentieth and twenty-first-century American literature, composition and rhetoric, critical theory, and film studies. Her scholarship has appeared in the Journal of the History of Ideas, Journal of American Studies, The Faulkner Journal, and The Oakland Review and has received generous support from the US Army Heritage Center and the National Endowment for the Humanities.Tracy Clark is a senior lecturer in the Professional Writing program at Purdue University. Research interests include accessibility and usability, public health communication, multimodal content development, and the intersection of gender identity and neurodiversity in technology use.Garrett I. Colón is a doctoral candidate in the Rhetoric and Composition program at Purdue University and the assistant director of content development for the Purdue OWL. His research interests include technical and professional communication, user experience design, community engagement, and writing across the curriculum.Adrianna Deptula is a current doctoral student in the Rhetoric and Composition program at Purdue University. Her research interests include science, technology, and medicine (STM); patient advocacy; and new materialism.Shelley Garcia is associate professor of English at Biola University where she teaches courses on race, gender, and culture in American literature, as well as composition and rhetoric. She has published on Chicana feminist authors who write across genre, focusing on the intersections of form, identity, and resistance. Additional research interests that have emerged from her teaching include the role of literary studies in developing intercultural competence, the theme of abjection in Toni Morrison's novels, and representations of the femme fatale in American modernist fiction.Eliza Gellis is a recent graduate of the Rhetoric and Composition doctoral program at Purdue University. Her research interests include comparative rhetorics, public and cultural rhetorics, rhetorical theory, and pop culture.Caroline Hagood is an assistant professor of literature, writing, and publishing and director of Undergraduate Writing at St. Francis College in Brooklyn. Her scholarship has appeared in journals including Resources for American Literary Study, Texas Studies in Literature and Language, Pennsylvania Literary Journal, and Caribbean Literature, Language, and Culture.Emily Rónay Johnston is an assistant teaching professor in writing studies at the University of California, Merced, and a New Directions Fellow through the Andrew W. Mellon Foundation. She holds a PhD in English studies from Illinois State University, an MFA in creative writing from the University of Alaska, Fairbanks, and a BA in women's studies from the University of California, Davis. Prior to academia, she worked in a domestic violence shelter and an addiction recovery center for women. She has published articles on the relationship between writing and adversity, as well as the restorative promises of writing pedagogy in the face of adversity, in College Composition and Communication (2023), Writers: Craft & Context (2022), Rhetoric of Health and Medicine (2020), and elsewhere.Pamela B. June is associate professor of English at Ohio University Eastern, where she teaches women's literature, American literature, literature and social justice, and writing courses. She is the author of two books, Solidarity with the Other Beings on the Planet: Alice Walker, Ecofeminism, and Animals in Literature (2020) and The Fragmented Female Body and Identity: The Postmodern, Feminist, and Multiethnic Writings of Toni Morrison, Theresa Hak Kyung Cha, Phyllis Alesia Perry, Gayl Jones, Emma Pérez, Paula Gunn Allen, and Kathy Acker (2010). In 2021, she earned the Ohio University Outstanding Professor Award in Regional Higher Education.Nate Mickelson is clinical associate professor and director of faculty development in the Expository Writing Program at New York University. He is author of City Poems and American Urban Crisis, 1945 – Present (2018) and editor of Writing as a Way of Staying Human in a Time That Isn't (2018). Nate's scholarly writing has appeared in Criticism; Journal of Modern Literature; Journal of Urban Cultural Studies; Learning Communities Research and Practice; and Journal of College Literacy and Learning.Ryan Michael Murphy is an assistant professor of business communication in the department of business information systems at Central Michigan University. He completed his PhD in rhetoric and composition at Purdue University in 2022. His current research focuses on the transfer of knowledge and skills between academic and nonacademic settings with a special interest in the ways business communication pedagogy can better recognize the experiences and knowledge students bring into the university.Jenni Quilter is executive director of the Expository Writing Program and assistant vice dean of general education in the College of Arts and Sciences at New York University (NYU). She is author of Hatching: Experiments in Motherhood and Technology (2022) and Painters and Poets of the New York School: Neon in Daylight (2014). She's currently writing and publishing about silent cinema, bodybuilding, Zeno's paradoxes, Afro-futurism, North African piracy, Norway, and animal migration. Quilter won NYU's Golden Dozen Teaching Award in 2014.Sahar Romani is a clinical assistant professor in the Expository Writing Program at New York University (NYU), where she teaches in the College of Arts and Sciences. She has published poems and essays in Guernica, Poetry Society of America, Entropy, The Offing, The Margins and elsewhere. She's received fellowships from Poets House, Asian American Writers’ Workshop, and NYU's Creative Writing Program.Megan Shea is a clinical professor and faculty mentor in the Expository Writing Program at New York University, where she teaches in the Tisch School of the Arts. Shea is the author of Tragic Resistance: Feminist Agency in Performance (2025). Her articles have been published in Theatre Journal, Theatre Topics, and the Journal of Dramatic Theory and Criticism. Shea is also an actor, director, and playwright. Her gender-bending play Penelope and Those Dang Suitors was selected as a 2018 winner in Hudson Valley Shakespeare's ten-minute play contest.Christina Van Houten is a clinical associate professor in the Expository Writing Program at New York University, where she teaches in the Tandon School of Engineering. She is completing her first book Home Fronts: Modernism and the Regional Framework of the American Century. Her articles have been published in Comparative Literature Studies, Women's Studies, Politics and Culture, and Workplace: A Journal of Academic Labor.Bethany Williamson is associate professor of English at Biola University, where she teaches courses in British and global literatures, literary theory, and academic writing. Her current interests include ecocritical approaches to the long eighteenth century and articulating the humanities’ value in the age of artificial intelligence. She is the author of Orienting Virtue: Civic Identity and Orientalism in Britain's Global Eighteenth Century (2022), as well as articles in journals such as Eighteenth-Century Fiction, the Journal for Early Modern Cultural Studies, South Atlantic Review, and ABO: Interactive Journal for Women in the Arts, 1640–1830.Elisabeth Windle is senior lecturer of English and women, gender, and sexuality studies at Washington University in St. Louis, where she teaches advanced writing courses and introductory courses in gender and sexuality studies, as well as courses on queer US literature, true crime, and contemporary fiction. She formerly taught in the College Writing Program. Her work has been published in MELUS and Camera Obscura.Mira Zaman is an associate professor of English at Borough of Manhattan Community College, City University of New York. Her research centers on representations of the devil in eighteenth-century British literature, and she is also passionate about teaching composition and rhetoric. Her scholarship has appeared in Persuasions, ANQ, Marvell Studies, and Eighteenth-Century Life.

Abstract This article considers how Jacques Derrida's theory of hospitality, applied within university literature classrooms, can help instructors meaningfully respond to competing student desires for flexibility and belonging. Derrida contends that ideals of “absolute” hospitality must be embodied in concrete and inevitably “conditional” ways. Arguing that the tension between absolute and conditional is one to embrace, the article considers how story-centered classrooms (specifically, general-education literature classes) allow teachers and students alike to move in and out of the roles of welcoming host and gracious guest. The article breaks down this pedagogical process into three overlapping stages, where class participants move from a traditional relationship where a teacher-host welcomes the student-guest, to experiences of readerly co-dwelling in which they collectively allow a story to host its disparate readers. The article argues that this pedagogical rethinking of traditional hospitality hierarchies gives students empowering strategies for welcoming diverse perspectives and inhabiting varied roles with confidence. These hospitality skills, in turn, allow them to practice and experience belonging.