Rhetoric Review

This article revisits Richard Weaver’s concept of spaciousness as a rhetorical effect and repositions it within contemporary visual rhetoric, particularly data visualizations. Although Weaver’s account of spaciousness is rooted in a political ideology that presumes shared cultural values, the concept offers a useful lens for understanding how style operates in visual communication. Drawing on the classical Ciceronian styles, this article argues that spaciousness functions as a visual analogue of the grand style, emphasizing abstraction rather than detail. Analyses of sparklines, cartographic maps, network visualizations, and metaphor-based displays show how plain style prioritizes instruction and transparency, grand style cultivates openness and shared meaning, and middle style modulates between visual scales through perceptual or interactive zooming. The article demonstrates how stylistic spaciousness in data visualization reinforces cultural assumptions about connectivity, complexity, and knowledge, offering a rhetorically grounded approach to studying visual style.

In Unorganized Women, Jane Greer compellingly argues that low-wage, white women workers deployed activist, repetitious rhetorical labor at the turn of the nineteenth century to shape public percept...

This article contributes to conversations among feminist rhetoricians about the rhetoricity of work by investigating the affordances of “career” as a chronotope that both disrupts and reinforces sexist and racist hierarchies. A case study, this article focuses on a scrapbook assembled by Helen Jacobson Richardson, one of the first stewardesses hired by Northwest Airlines in 1939. Like most early stewardesses, Richardson’s employment ended when she married in 1942. This essay argues Richardson’s uptake of the career chronotope invested her work life with greater dignity and contravened assumptions about the inconsequential nature of women’s workforce participation in the mid-twentieth century.

This article historicizes the emergence of the Council on American-Islamic Relations (CAIR) as an Islamic counterpublic in the U.S. public sphere prior to 9/11. The study analyzes how CAIR functioned as an Islamic counterpublic to contest entrenched Islamophobic rhetorics that positioned Muslims as collective threats to U.S. public safety. It highlights how CAIR performed counterpublic rhetorical moves by using oppositional interpretations to construct Muslim ethos and moral identities; coalitional rhetoric to highlight Muslims’ civic engagement; and world-making to advance new ways of seeing Muslims. The study provides a critical history to CAIR’s contemporary advocacy, contributing to scholarship on Islamic/Muslim counterpublicity.

I contracted Lyme disease when I was thirteen years old. I struggled with vague symptoms for nine months (maybe my busy parents assumed my fatigue and headaches were normal complaints for a teenage...

From a national study on graduate student writing pedagogy in Rhetoric, Composition, and Writing Studies, 203 participant responses show the value of faculty mentorship, learning to write outside of coursework, and the importance of understanding rhetorical genre systems. Participants largely report not having taken a course on writing in graduate school. This article concludes that more should be done in coursework to mediate the needs of graduate student writers.

Over the past few decades, Plato’s Phaedrus has become an important text for scholars interested in tracing new materialist approaches to the history of rhetoric and writing. Drawing on rhetoric and plant studies scholarship, this essay contributes to this conversation by arguing that trees disclose an important layer of irony in the dialogue, producing a deep, if not ambivalent, unity that brings together rhetoric, writing, and discourse. Through a study of trees in the dialogue, this essay demonstrates how the Phaedrus offers rich connections between spatial, nonhuman, and ecological dimensions of writing, rhetoric, and discourse.

The Sloyd Training School, an early twentieth-century private school for teachers in Boston, attempted to legitimize the Sloyd method of handiwork. Specifically, its Alumni Association's publication Sloyd Record brought together educators across the country to make a case for Sloyd's relevancy and impact on the academic and professional development of students, particularly students who were working poor or receiving educations in non-traditional settings. Its contributors painted Sloyd as a form of knowledge and a resource, as a literacy, and their rhetorical effectiveness was predicated upon Sloyd's ability to be painted as such in its far-reaching effects and comprehensiveness.

The generative AI chatbot, as an artificial rhetorical agent participating in the invention and circulation of public discourse, shakes the foundations of rhetorical tenets such as agency, ethos, circulation, and justice; and in doing so, it further isolates rhetoric as amoral, ateleological technē concerned with mere calculated effects and consequences, and may ultimately contribute to a post-rhetoric condition. This article depicts a rhetorical profile of the generative AI chatbot characterized by stochastic rhetoric, which is distinguished from the conventional understanding of rhetoric as (human) conscious and purposeful use of language to induce change. Making a case for the possibility of a post-rhetoric condition, the article considers what it might mean for our conceptualization of ethos, circulation, and justice, and suggests ways of adapting to it.

This study draws on Rhetorical Genre Studies (RGS) to examine the role of personal statement prompts in promoting or hindering the effectiveness of holistic review in graduate applications. Our analysis reveals that the content articulated in the personal statement prompts help to reify four ideological values held by the discipline. Through the framing of these ideological values, users are positioned into two major social roles: disciplinary expert and expert-in-training. We argue that, for holistic review to be effective, graduate programs must reconcile the tension between personal statement prompts that demand the writer take on contradictory social roles.