Reflections: A Journal of Community-Engaged Writing and Rhetoric

Editors’ Note: With this interview, we inaugurate a regular feature of the journal focused on interviews and articles about community-based writing projects unaffiliated with higher education. Discovering the genesis, evolution, and meaningfulness of such projects illuminates theories and practices of writing as a potentially transformative social activity that fosters creativity, communication, equity, and justice. It broadens our understanding as researchers, teachers, writers, students, and community members about what, why, how, and to what end community-engaged writing provides a compelling ground for educational, social, cultural, and political dialogue, personal growth, and collective inquiry. We envisage rich descriptions and investigations of the phenomenon of the written word as a liberatory tool that helps realize individual potential and promotes democracy, equality, and inclusiveness. We are delighted to begin this series with an interview with New York Writers Coalition Founder and Director Aaron Zimmerman. A former co-chair of the Board of Directors of Amherst Writers and Artists (AWA), Zimmerman has been leading creative writing workshops using the AWA method since 1997. He has an MA in creative writing from City College, where he has also taught creative writing. His novel By the Time You Finish This Book You Might Be Dead (Spuyten Duyvil) was selected in 2003 by Poets and Writers as “new and noteworthy.” His fiction and poetry have appeared in numerous literary magazines, including The Brooklyn Rail, Georgetown Review, South Dakota Review, Jeopardy, and Mid-America Poetry Review.

This article is a teacher narrative examining the experiences of a teacher in a correctional facility writing workshop and how those experiences led her to understand that in order to effectively teach the workshop, she had to achieve a deeper understanding of the world of the prison as well as see that the success of the workshop depends on honoring the expertise of all of its members. Inmate work is included in the article that comments on both the importance of writing in their lives as inmates as well as reveals how the workshop setting allows for reflection upon and examination of their lives.

In his introduction to Life Stories, a collection of New Yorker Profiles, David Remnick confesses that "the Profile is a terribly hard form to get right." Conceived as a form to describe Manhattan celebrities, the genre now travels widely and along all emotional and occupational registers. One quality runs through many of the best Profiles, though, notes Remnick: a sense of obsession. The Book Man is one student's foray into the genre of the Profile. It was written in an Introduction to Creative Nonfiction course and is based on her service-learning experiences for which she earned an optional fourth credit.